In October of the following year, Cæsar Borgia, son of the painter's
great patron, was encamped at Deruta, the little town that lies out
among the hills, a few miles west of Perugia. Pintoricchio visited him
here while he was resting after his campaign in the Romagna, and
obtained an order desiring the vice-treasurer to get permission for him
to sink a cistern in his house in Perugia. What interests us even more
than this domestic detail is Cæsar's statement that he has "again" taken
into his service Bernardino Pintoricchio of Perosa, whom he always loved
because of his talents and gifts, and he desires that in all things he
shall be treated "as one of ours."[11] Cæsar's expression that he had
"again" taken him into his service, suggests that he had not quite
recently been retained by the Pope.
[11] _Conestabile Archives._
Very soon after his visit to the Borgia's camp, he was in treaty with
the Cardinal of Spello, thirteen miles from Perugia, to decorate the
chapel of his House; but before leaving home he was elected Decemvir of
the city, a proof of how high he stood in repute among his
fellow-citizens. It could only have been an honorary distinction, for
his work in Spello must have taken all his remaining time in Umbria to
accomplish. One short visit he was to pay to his own province, but
early in 1502 the summons reached him which changed the course of his
life. Cardinal Francesco Piccolomini made him the offer which caused him
to move to Siena and begin one of his most important undertakings.
Siena is a long journey from Perugia across the hills and plains that
lie around Lake Thrasymene, past Chiugi, and so through the breadth of
Italy. It brought the painter into new surroundings, and took him quite
out of the beaten track. The long and elaborate contract between the
Cardinal and the painter must have taken no little time to discuss and
agree upon, but it was finished and signed June 29, 1502. During the
following autumn and winter, he made his preparations, gathered his
workmen and assistants together, and by the spring of 1503 was hard at
work in the building, beginning with the ceiling, which we are able,
with tolerable certainty, to determine was nearly completed by the
autumn.
Public-domain text, read in full here on John Shaqi.
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