Indeed, the contrast is great between the simplicity of ornament and more ambitious, scientific spirit in the Sixtine, and the return here to the conventional composition and the mediæval fondness for accessory. Both "The Annunciation" and "The Adoration of the Magi" are of the Umbro-Perugian type. Pintoricchio repeats the angel of the first scene again at Spello, with several other figures. In the radial lines of the pavement we recognise the example of Perugino in the Sixtine fresco. The whole scene in the stately halls opening out in a beautiful landscape, is full of soft dignity. The rose-pink of the angels' robes, the peacock-blues and greens of Mary's garments, the rose-wreath, the lilies, make a luscious combination of colour. It is the impassionate character, the childlike and unconscious spirit of all Pintoricchio's creations that gives them such a piquancy, in contrast to their splendid setting. [Illustration: _Anderson photo_] [_Borgia Apartments, Vatican, Rome_ THE ANNUNCIATION] Dr. Auguste Schmarsow, of all the critics, is the one who has given most careful study to these frescoes and has brought most knowledge and erudition to bear upon them. He divides a great deal of the execution among the various schools to which he thinks Pintoricchio's assistants belonged, and his assignments, if not to be taken as actual facts, are worth considering--it being allowed that the whole is due to one designer. All critics concur in giving the figures in the "Annunciation" to the master. In the next, the "Nativity," the Virgin and Child are also from Pintoricchio's own hand, and many details recall the altar-piece in Santa Maria del Popolo. The "Adoration of the Magi" is attributed to a Lombard, except the boy at the right, who is by a pupil of Botticelli. We should be sorry to hold Pintoricchio immediately responsible for the ill-drawn Child and awkward hands in this fresco; and in the patterns on the dresses and the terra-cotta mouldings of the buildings we see the Lombard taste. In the "Resurrection" we have the broken tomb, the risen Saviour, and the guards in armour, set in a landscape of rocky ground and cypresses.