Piping hot! (Pot-bouille) : $b a realistic novelZola, Émile
History
Piping hot! (Pot-bouille) : $b a realistic novel
Zola, Émile
France -- History -- Second Empire, 1852-1870 -- Fiction; Paris (France) -- Fiction
“I do not care and yet I do care. Well! yes, I am becoming like that.
You will see, you will see, my friend: when you have lived a little
longer, you will do as every one else.”
And he spoke of his forty-two years, of the emptiness of life, posing
for being very melancholy, which his robust health belied. In the
artist’s head which he had fashioned for himself, with flowing hair and
beard trimmed in the Henri IV. style, one found the flat skull and
square jaw of a middle-class man of limited intelligence and voracious
appetites. When younger, he had a fatiguing gaiety.
Octave’s eyes became fixed on a number of the “Gazette de France,”
which was lying amongst some plans. Then, Campardon, more and more ill
at ease, rang for the maid to know if madame was at length disengaged.
Yes, the doctor was just leaving, madame would be there directly.
“Is Madame Campardon unwell?” asked the young man.
“No, she is the same as usual,” said the architect in a bored tone of
voice.
“Ah! and what is the matter with her?”
Again embarrassed, he did not give a straightforward answer.
“You know, there is always something going wrong with women. She has
been in this state for the last thirteen years, ever since her
confinement. Otherwise, she is as well as can be. You will even find
her stouter.”
Octave asked no further questions. Just then, Lisa returned, bringing a
card; and the architect, begging to be excused, hastened to the
drawing-room, telling the young man as he disappeared to talk to his
wife and have patience. Octave had caught sight, on the door being
quickly opened and closed, of the black mass of a cassock in the centre
of the large white and gold apartment.
At the same moment, Madame Campardon entered from the ante-room. He
scarcely knew her again. In other days, when a youngster, he had known
her at Plassans, at her father’s, Monsieur Domergue, government clerk
of the works, she was thin and ugly, as puny-looking as a young girl
suffering from the crisis of her puberty; and now he beheld her plump,
with the clear and placid complexion of a nun, soft eyes, dimples, and
a general appearance of an overfed she-cat. If she had not been able to
grow pretty, she had ripened towards thirty, gaining a sweet savour and
a nice fresh odour of autumn fruit. He remarked, however, that she
walked with difficulty, her whole body wrapped, in a mignonette
coloured silk dressing-gown, moving; which gave her a languid air.
“But you are a man, now!” said she gaily, holding out her hands. “How
you have grown, since our last journey to the country!”
And she gazed at him: tall, dark, handsome, with his well kept
moustache and beard. When he told her his age, twenty-two, she scarcely
believed it: he looked twenty-five at least. He, whom the presence of a
woman, even though she were the lowest of servants, filled with
rapture, laughed melodiously, enveloping her with his eyes of the
colour of old gold, and of the softness of velvet.
Public-domain text, read in full here on John Shaqi.
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