Piping hot! (Pot-bouille) : $b a realistic novelZola, Émile
History
Piping hot! (Pot-bouille) : $b a realistic novel
Zola, Émile
France -- History -- Second Empire, 1852-1870 -- Fiction; Paris (France) -- Fiction
“Achille,” murmured Madame Campardon, “that berth, at the Hédouins’—”
“Why, of course! I was forgetting,” exclaimed the architect. “My dear
fellow, a place of first clerk at a large linen-draper’s. I know some
one there who has said a word for you. You are expected. It is not yet
four o’clock; shall I introduce you now?”
Octave hesitated, anxious about the bow of his necktie, flurried by his
mania for being neatly dressed. However, he decided to go, when Madame
Campardon assured him that he looked very well. With a languid
movement, she offered her forehead to her husband, who kissed her with
a great show of tenderness, repeating:
“Good-bye, my darling—good-bye, my pet.”
“Do not forget that we dine at seven,” said she, accompanying them
across the drawing-room, where they had left their hats.
Angèle followed them without the slightest grace. But her music-master
was waiting for her, and she at once commenced to strum on the
instrument with her bony fingers. Octave, who was lingering in the
ante-room, repeating his thanks, was unable to make himself heard. And,
as he went downstairs, the sound of the piano seemed to follow him: in
the midst of the warm silence other pianos—from Madame Juzeur’s, the
Vabres’, and Duveyriers’—were answering, playing on eaeh floor other
airs, whieh issued, distantly and religiously, from the calm solemnity
of the doors.
On reaching the street, Campardon turned into the Rue
Neuve-Saint-Augustin. He remained silent, with the absorbed air of a
man seeking for an opportunity to broach a subject.
“Do you remember Mademoiselle Gasparine?” asked he, at length. “She is
first lady assistant at the Hédouins’. You will see her.”
Octave thought this a good time for satisfying his curiosity.
“Ah!” said he. “Does she live with you?”
“No! no!” exelaimed the architect, hastily, and as though feeling hurt
at the bare idea.
Then, as the young man appeared surprised at his vehemence, he gently
continued, speaking in an embarrassed way:
“No; she and my wife no longer see each other. You know, in families—
Well, I met her, and I could not refuse to shake hands, could I? more
especially as she is not very well off, poor girl. So that, now, they
have news of each other through me. In these old quarrels, one must
leave the task of healing the wounds to time.”
Octave was about to question him plainly on the subject of his
marriage, when the architect suddenly put an end to the conversation by
saying:
“Here we are!”
It was a large linen-drapers, opening on to the narrow triangle of the
Place Gaillon, at the corner of the Rue Neuve-Saint-Augustin and the
Rue de la Michodière. Across two windows immediately above the shop was
a signboard, with the words, “The Ladies’ Paradise, founded in 1822,”
in faded gilt letters, whilst on the shop windows was inscribed, in
red, the name of the firm, “Deleuze, Hédouin, & Co.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account