Pirate Princes and Yankee Jacks: Setting forth David Forsyth's Adventures in America's Battles on Sea and Desert with the Buccaneer Princes of Barbary, with an Account of a Search under the Sands of the Sahara Desert for the Treasure-filled Tomb of Ancient KingsHenderson, Daniel
History
Pirate Princes and Yankee Jacks: Setting forth David Forsyth's Adventures in America's Battles on Sea and Desert with the Buccaneer Princes of Barbary, with an Account of a Search under the Sands of the Sahara Desert for the Treasure-filled Tomb of Ancient Kings
Henderson, Daniel
Eaton, William, 1764-1811 -- Juvenile fiction; Pirates -- Juvenile fiction; United States -- History -- Tripolitan War, 1801-1805 -- Juvenile fiction; United States. Navy -- Juvenile fiction
No sooner had he left the ship than I, whose task it was to keep
Murad's quarters tidy, began to make a thorough search of his
belongings. I was seeking that which only my suspicions told me
existed--the map showing the location of the treasure.
There was a sea chest in the cabin which Murad kept locked. In another
room of the ship, however, I had found a similar chest. The key to this
one I had taken, hoping that it would open the Egyptian's strong-box.
In this experiment I was fortunate--the key turned in the lock as if it
were made to fit it, and the lid was loosened.
I found in the top of the chest the volume that had been stolen from
the rector's library. The trail was hot. There was, however, no map
between its pages. Deeper into the chest I plunged. At the bottom I
pried up a false bottom and found a paper. It seemed to be a copy
instead of an original. I concluded that if this was the diagram of the
treasure site, Murad had taken ashore the original, and had left this
one aboard in case he lost the first one.
The map was simple enough. It showed a section of the southern coast of
the Mediterranean. The towns Tripoli and Derne were indicated. Between
them was a village lettered Tokra. In the neighborhood of this spot
were queer markings, which were explained by writing at the bottom of
the map. When I tried to decipher this I found that it was in Arabic.
The original was doubtless in English. Murad, in copying, had doubtless
changed the English to Arabic to keep the secret from prying eyes.
Towards midnight--while I was on watch--I heard a noise on the water
from the direction of shore. It sounded like rowing, and yet it was
too indistinct a sound for me to make certain. I decided that Murad
had given up his idea of spending the night ashore and was returning.
However, I asked Mr. Bludsoe to listen.
"Oars!" he said, his ear cocked over the landward side.
He listened again. "There are three boats at least!" he whispered, "it
looks like an attack. Pass the word for all hands!"
By this time both watches were on deck. Pistols and cutlasses were
passed out. We lined up along the bulwarks, peering out.
The mate stood near me. I heard him thinking aloud. "So this is the
way our precious skipper protects us from corsairs?" he muttered, "He
goes ashore and an attack follows. Looks queer. Wonder what slaves are
worth in Morocco? Maybe he's planning to sell a double cargo--goods and
men!"
We could hear the sounds plainly now. The splash of the oars struck
with a chill more than one of us, but we gripped our weapons and made
up our minds to sell our lives dearly.
Mr. Bludsoe had been sweeping the sea with a night glass. "They are
near us, men--four boats, swarming with cutthroats!"
He peered over the rail and shouted:
"On board the boats! This is an American schooner with whom you have no
business. Come nearer at your peril!"
Still the boats came on. The steady beat of the oars tightened our
nerves almost to the snapping point.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account