Plant Lore, Legends, and Lyrics: Embracing the Myths, Traditions, Superstitions, and Folk-Lore of the Plant KingdomFolkard, Richard
History
Plant Lore, Legends, and Lyrics: Embracing the Myths, Traditions, Superstitions, and Folk-Lore of the Plant Kingdom
Folkard, Richard
Plants -- Folklore
in his hand, was drawn up to this planet, and has remained there to the
present day.
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[Headpiece]
CHAPTER XV.
Plant Symbolism and Language.
The antiquity of floral emblems probably dates from the time when
the human heart first beat with the gentle emotions of affection or
throbbed with the wild pulsations of love. Then it was that man sought
to express through the instrumentality of flowers his love of purity
and beauty, or to typify through their aid the ardour of his passionate
desires; for the symbolism of flowers, it has been conjectured, was
first conceived as a parable speaking to the eye and thence teaching
the heart.
Driven, in his struggle for existence, to learn the properties of
plants in order to obtain wholesome food, man found that with the
beauty of their form and colour they spoke lovingly to him. They could
be touched, tasted, handled, planted, sown, and reaped: they were
useful, easily converted into simple articles of clothing, or bent,
twisted, and cut into weapons and tools. Flowers became a language
to man very early, and according to their poisonous, soothing, or
nutritious qualities, or on account of some peculiarities in their
growth or shape which seemed to tell upon the mysteries of life, birth,
and death, he gave them names which thenceforth became words and
symbols to him of these phenomena.
Glimpses of the ancient poetical plant symbolism have been found amid
the ruins of temples, graven on the sides of rocks, and inscribed on
the walls of mighty caves where the early nations of India, Assyria,
Chaldæa, and Egypt knelt in adoration. The Chinese from time immemorial
have known a comprehensive system of floral signs and emblems, and
the Japanese have ever possessed a mode of communicating by symbolic
flowers. Persian literature abounds in chaste and poetical allegories,
which demonstrate the antiquity of floral symbolism in that far Eastern
land: thus we are told that Sadi the poet, when a slave, presented to
his tyrant master a Rose accompanied with this pathetic appeal:--“Do
good to thy servant whilst thou hast the power, for the season of power
is often as transient as the duration of this beautiful flower.”
The beauty of the symbol melted the heart of his lord, and the slave
obtained his liberty.
Public-domain text, read in full here on John Shaqi.
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