The festival of St. John would seem to be a favourite time with maidens to practice divination in their love affairs. On the eve of St. John, English girls set up two plants of Orpine on a trencher, one for themselves and the other for their lover; and they estimate the lover’s fidelity by his plant living and turning to theirs, or otherwise. They also gather a Moss-rose so soon as the dew begins to fall, and, taking it indoors, carefully keep it till New Year’s Eve, when, if the blossom is faded, it is a sign of the lover’s insincerity, but if it still retains its common colour, he is true. On this night, also, Hemp-seed is sown with certain mystic ceremonies. In Brittany, on the Saint’s Vigil, young men wearing bunches of green Wheat-ears, and lasses decked with Flax-blossoms, assemble round one of the old pillar-stones and dance round it, placing their wreath upon it. If it remains fresh for some time after, the lover is to be trusted, but should it wither within a day or two, so will the love prove but transient. In Sweden, on St. John’s Eve, young maidens arrange a bouquet composed of nine different flowers, among which the _Hypericum_, or St. John’s Wort, or the Ox-eye Daisy, St. John’s Flower, must be conspicuous. The flowers must be gathered from nine different places, and the posy be placed beneath the maiden’s pillow. Then he who she sees in her dreams will be sure soon to arrive.[7] [7] For further details of the rites of St John’s Eve, see Part II., under the heads “FERN,” “HEMP,” and “MOSS-ROSE.” “The village maids mysterious tales relate Of bright Midsummer’s sleepless nights; the Fern That time sheds secret seeds; and they prepare Untold-of rites, predictive of their fate: Virgins in silent expectation watch Exact at twelve’s propitious hour, to view The future lover o’er the threshold pass; Th’ inviting door wide spread, and every charm Performed, while fond hope flutters in the breast, And credulous fancy, painting his known form, Kindles concordant to their ardent wish.”--_Bidlake._ Flowers of the Saints. In the dark ages the Catholic monks, who cultivated with assiduity all sorts of herbs and flowers in their monastic gardens, came in time to associate them with traditions of the Church, and to look upon them as emblems of particular saints. Aware, also, of the innate love of humanity for flowers, they selected the most popular as symbols of the Church festivals, and in time every flower became connected with some saint of the Calendar, either from blowing about the time of the saint’s day, or from being connected with him in some old legend.