but one certain way of telling whether a verse-writer is a poet at all, and then whether as poet he is greater or less. He must be read a first time without effort at criticism of any kind. The words and rhythms, the thoughts and feelings contained in a particular poem will thus leave a certain general effect, an unanalysed impression. It will be as it is with the true judge of art when he stands before a picture, a statue, or a building. In its presence he either feels the spontaneous delight which comes of a general satisfyingness, or he feels the annoyance of a general unsatisfyingness, or he feels neither one nor the other. So with a poem. We shall either feel that the sounds and melodies have bathed us in delight, or we shall think them harsh, or we shall think nothing about them at all. We shall feel a high intellectual stimulation or a strong emotional excitement, or we shall think the passage rather futile, or we shall be aware of no pronounced feeling one way or the other. If we are constrained to say to ourselves, "What a noble passage!" "What splendid verse!" "What a sweet song!" or to use any of those unstudied exclamations which spring to the lips before we have had time or inclination to realize our impressions more definitely--then, I maintain, we are justified in calling the writer at once and definitively a poet. Whether he is a greater poet or a minor poet remains still to be estimated, but poet he is, be he Burns or Swinburne, Tennyson or Watson or Davidson. Here, for instance, is a passage from Watson's elegy upon Tennyson, which he has called _Lachrymae Musarum_. I do not choose it because it is his best, but because it is typical:-- He hath returned to regions whence he came; Him doth the spirit divine Of universal loveliness reclaim, All nature is his shrine. Seek him henceforward in the wind and sea, In earth's and air's emotion or repose, In every star's august serenity, And in the rapture of the flaming rose. There seek him if ye would not seek in vain, There, in the rhythm and music of the whole, Yea, and for ever in the human soul Made stronger and more beauteous by his strain. For lo! Creation's self is one great choir, And what is Nature's order but the rhyme Whereto the world keeps time, And all things move with all things from their prime? Who shall expound the mystery of the lyre? In far retreats of elemental mind Obscurely comes and goes The imperative breath of song, that as the wind Is trackless, and oblivious whence it blows.