perfections of an Olympic athlete. The student must not be helped out of difficulties at once: he must work his own way slowly out of them. [Footnote 56: Proklus ad Platon. Parmen. I. pp. 482-485, ed. Stallb.; compare pp. 497-498-788-791, where Proklus is himself copious upon the subject of exercise in dialectic method. Stallbaum, after reciting many different hypothetical interpretations from those interpreters who had preceded him, says (Prolegg. p. 265), "En lustravimus tandem varias interpretum de hoc libro opiniones. Quid igitur? verusne fui, quum suprà dicerem, tantam fuisse hominum eruditorum in eo explicando fluctuationem atque dissensionem, ut quamvis plurimi de eo disputaverint, tamen ferè alius aliter judicaverit? Nimirum his omnibus cognitis, facilè alicui in mentem veniat Terentianum illud--_Fecisti propé, multo sim quam dudum incertior_." Brandis (Handbuch Gr.-Röm. Phil. s. 105, pp. 257-258) cannot bring himself to believe that dialectical exercise was the only purpose with which Plato composed the Parmenides. He then proceeds to state what Plato's ulterior purpose was, but in such very vague language, that I hardly understand what he means, much less can I find it in the Antinomies themselves. He has some clearer language, p. 241, where he treats these Antinomies as preparatory [Greek: a)pori/ai].] [Footnote 57: Ast, Platon's Leben und Schriften, pp. 239-244; Schleiermacher, Einleit. zum Parmen. pp. 94-99; Strümpell, Geschichte der Theoretischen Philosophie der Griechen, sect. 96, pp. 128-129. I do not agree with Socher's conclusion, that the Parmenides is not a Platonic composition. But I think he is quite right in saying that the dialogue as it now stands performs all that Parmenides promises, and leaves no ground for contending that it is an unfinished fragment (Socher, Ueber Platon's Schriften, p. 286), so far as philosophical speculation is concerned. The dialogue as a dramatic or literary composition undoubtedly lacks a proper close; it is [Greek: a)/pous] or [Greek: kolobo\s] (Aristot. Rhetor. iii. 8), sinning against the strict exigence which Plato in the Phædrus applies to the discourse of Lysias.] [Side-note: The Demonstrations or Antinomies considered. They include much unwarranted assumption and subtlety. Collection of unexplained perplexities or [Greek: a)pori/ai].]