Love stories; Triangles (Interpersonal relations) -- Fiction; Young women -- Fiction
He got suddenly to his feet. "Yes. He must be an unusual fellow. But I'd
like to hear you sing. Won't you come into the house and sing something
for me?"
"All right," said Honor. "I love to sing, but I haven't studied very
much yet, and I haven't any decent songs. Why doesn't somebody write
some?--Songs _about_ something? Not just maudling along about 'heart'
and 'part' and that kind of stuff! Come on! There's Stepper at the piano
now. He'll play for me."
It was mellow in the long living-room after the brazen afternoon sun
outside, a livable, lovable room. Stephen Lorimer had an open book on
the music rack and he was thumping some rather stirring chords.
"Stepper," said Honor, "here's Carter Van Meter, and he wants me to sing
for him, and I was just saying how I hated all these mushy old songs.
Can't you find me something different?"
"I have," said her stepfather. "I've got the words here and I'm messing
about for some music to go with them."
Honor looked out as she passed the window on her way to the piano. "Wait
a minute! Here's Jimsy! I'll call him!" She sped to the door and hailed
him, and he came swiftly in. "Hello! How was practice?"
"Fair. Burke was better. Tried him on the end. 'Lo, Mr. Lorimer. 'Lo,
Carter!"
"I've got a poem here you'll all like," said Stephen Lorimer. "No, you
needn't shuffle your feet, Jimsy. It's your kind. Sit down, all of you.
I'll read it."
"So long as it hasn't got any 'whate'ers' and yestereves' and
'beauteous,'" the last King grinned. "Shoot!"
"It's an English thing, by Henry Newbolt,--about cricket, but that
doesn't matter. It's the thing itself. I may not have the words
exactly,--I read it over there, and copied it down in my diary, from
memory." He looked at the boys and the girl; Honor was waiting eagerly,
sure of anything he might bring her; Jimsy King, fresh from the sweating
realities of the gridiron, was good-humoredly tolerant; Carter Van Meter
was courteously attentive, with his oddly mature air of social poise. He
began to read, to recite, rather, his eyes on their faces:
There's a breathless hush in the Close to-night,
Ten to make and the match to win;
A bumping pitch and a blinding light,
An hour to play and the last man in,
And it's not for the sake of a ribboned coat
Or the selfish hope of a season's fame,
But his Captain's hand on his shoulder smote--
Play up! Play up! and--Play the Game!
Jimsy King, who was lolling on the couch, sat up, his eyes kindling.
"Gee...." he breathed. Honor's cheeks were scarlet and she was breathing
hard and fast. Only the new boy was unmoved, his pale face still pale,
his shadowed eyes calm. Stephen Lorimer kept that picture of them always
in his heart; it was, he came to think, symbol and prophecy. He swung
into the second verse, his voice warming:
Public-domain text, read in full here on John Shaqi.
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