Playing with Fire: A Story of the Soudan War — John Shaqi
Playing with Fire: A Story of the Soudan WarGrant, James
General
Playing with Fire: A Story of the Soudan War
Grant, James
Sudan -- Fiction
During the whole day after this arrival, and even the following one,
Hester was unpleasantly conscious that because Annot Drummond
absorbed Roland so entirely, he had scarcely an opportunity of
addressing herself alone, and still less of referring--beyond a
glance and a hand pressure or so forth--to that evening, on the last
minutes of which so much had seemed to hinge.
A little music usually closed each evening, and Annot performed, from
Chopin and others, various 'fireworks' on the piano, as Roland was
wont to term them; while at Hester's little songs, such as that one
to the air of the 'Briar Bush,' she openly laughed, declaring they
were quite 'too, too!'
Her voice was not so trained as Annot's, and was not remarkable for
strength or compass, but it was clear and sweet, fresh and true, and
she sang with unaffected expression, being well desirous of pleasing
her cousin Roland--her lover as she perhaps deemed him now.
Annot's song, after Hester had given a little _chanson_ from
Beranger--'_Du, du liegst mir im Herzen_,' accompanied--though sung
indifferently--with several _[oe]illades_ at Roland, gave her an
opportunity to make, what Hester termed, some of her 'wild speeches.'
'A sweet love song, Annot,' said the latter.
'A love song it is--but twaddle, you know,' replied Annot, turning
quickly the leaves of her music.
'Twaddle--how?'
'About marrying for love only and not money, Hester. That is an
old-fashioned prejudice which is fast dying out, mamma tells me.
Thank Heaven I am poor!' she added, with a pretty shrug of her
shoulders.
'Why?' asked Hester.
'Because, when poor, one knows one is loved for self alone.'
The reply was made in a soft voice to Hester, yet her upward glance
was shot at Roland Lindsay, and she began a piece of music that was
certainly somewhat confused, while he--sorely puzzled--was kept on
duty turning over the leaves.
'Annot, I thought you were a finished performer!' said Hester with
some surprise and pique.
'I was taught like other girls at Madame Raffineur's finishing school
in Belgium; and I _can_ get through a piece, as it is called, without
many stoppages, though I often forget upon what key I am playing, and
use the pedals too at haphazard, yet they are beyond my skill; but I
find that whatever I play----'
'Even a noise?' suggested Hester.
'Yes, even a noise, while it lasts, puts down all conversation, and
when it is over everyone graciously says, "Thanks--so much!" "Do I
sing?" is next asked, but I mean to practise so sedulously when I
return to London.'
'A bright little twaddler!' thought Hester, with a slight curl of her
handsome upper lip.
'You talked of the Row--you ride, I suppose?' said Roland to change
the subject.
'I have no horse,' replied Annot.
'No horse! At Earlshaugh I shall get you an excellent mount.'
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account