CLAIRE: That's not true. I wish it were. No; no, I don't either. (_she
is disturbed--that troubled thing which rises from within, from deep,
and takes_ CLAIRE. _She turns to the Edge Vine, examines. Regretfully
to_ ANTHONY, _who has come in with a plant_) It's turning back, isn't
it?
ANTHONY: Can you be sure yet, Miss Claire?
CLAIRE: Oh yes--it's had its chance. It doesn't want to be--what hasn't
been.
HARRY: (_who has turned at this note in her voice. Speaks kindly_) Don't
take it so seriously, Claire. (CLAIRE _laughs_)
CLAIRE: No, I suppose not. But it _does_ matter--and why should I
pretend it doesn't, just because I've failed with it?
HARRY: Well, I don't want to see it get you--it's not important enough
for that.
CLAIRE: (_in her brooding way_) Anything is important enough for
that--if it's important at all. (_to the vine_) I thought you were out,
but you're--going back home.
ANTHONY: But you're doing it this time, Miss Claire. When Breath of Life
opens--and we see its heart--
(CLAIRE _looks toward the inner room. Because of intervening plants they
do not see what is seen from the front--a plant like caught motion, and
of a greater transparency than plants have had. Its leaves, like waves
that curl, close around a heart that is not seen. This plant stands by
itself in what, because of the arrangement of things about it, is a
hidden place. But nothing is between it and the light_.)
CLAIRE: Yes, if the heart has (_a little laugh_) held its own, then
Breath of Life is alive in its otherness. But Edge Vine is running back
to what it broke out of.
HARRY: Come, have some coffee, Claire.
(ANTHONY _returns to the inner room, the outer door opens_. DICK _is
hurled in_.)
CLAIRE: (_going to the door, as he gasps for breath before closing it_)
How dare you make my temperature uneven! (_she shuts the door and leans
against it_)
DICK: Is that what I do?
(_A laugh, a look between them, which is held into significance_.)
HARRY: (_who is not facing them_) Where's the salt?
DICK: Oh, I fell down in the snow. I must have left the salt where I
fell. I'll go back and look for it.
CLAIRE: And change the temperature? We don't need salt.
HARRY: You don't need salt, Claire. But we eat eggs.
CLAIRE: I must tell you I don't like the idea of any food being eaten
here, where things have their own way to go. Please eat as little as
possible, and as quickly.
HARRY: A hostess calculated to put one at one's ease.
CLAIRE: (_with no ill-nature_) I care nothing about your ease. Or about
Dick's ease.
DICK: And no doubt that's what makes you so fascinating a hostess.
CLAIRE: Was I a fascinating hostess last night, Dick? (_softly sings_)
'Oh, night of love--' (_from the Barcorole of 'Tales of Hoffman'_)
HARRY: We've got to have salt.
(_He starts for the door._ CLAIRE _slips in ahead of him, locks it,
takes the key. He marches off, right_.)
CLAIRE: (_calling after him_) That end's always locked.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account