CLAIRE: (_with difficulty, drawing herself back from the fascination of
the precipice_) You think I can't smash anything? You think life can't
break up, and go outside what it was? Because you've gone dead in the
form in which you found yourself, you think that's all there is to the
whole adventure? And that is called sanity. And made a virtue--to lock
one in. You never worked with things that grow! Things that take a
sporting chance--go mad--that sanity mayn't lock them in--from life
untouched--from life--that waits, (_she turns toward the inner room_)
Breath of Life. (_she goes in there_)
HARRY: Oh, I wish Claire wouldn't be strange like that, (_helplessly_)
What is it? What's the matter?
DICK: It's merely the excess of a particularly rich temperament.
HARRY: But it's growing on her. I sometimes wonder if all this
(_indicating the place around him_) is a good thing. It would be all
right if she'd just do what she did in the beginning--make the flowers
as good as possible of their kind. That's an awfully nice thing for a
woman to do--raise flowers. But there's something about this--changing
things into other things--putting things together and making queer new
things--this--
DICK: Creating?
HARRY: Give it any name you want it to have--it's unsettling for a
woman. They say Claire's a shark at it, but what's the good of it, if it
gets her? What is the good of it, anyway? Suppose we can produce new
things. Lord--look at the one ones we've got. (_looks outside; turns
back_) Heavens, what a noise the wind does make around this place, (_but
now it is not all the wind, but_ TOM EDGEWORTHY, _who is trying to let
himself in at the locked door, their backs are to him_) I want my _egg_.
You can't eat an egg without salt. I must say I don't get Claire lately.
I'd like to have Charlie Emmons see her--he's fixed up a lot of people
shot to pieces in the war. Claire needs something to tone her nerves
_up_. You think it would irritate her?
DICK: She'd probably get no little entertainment out of it.
HARRY: Yes, dog-gone her, she would. (TOM _now takes more heroic
measures to make himself heard at the door_) Funny--how the wind can
fool you. Now by not looking around I could imagine--why, I could
imagine anything. Funny, isn't it, about imagination? And Claire says I
haven't got any!
DICK: It would make an amusing drawing--what the wind makes you think is
there. (_first makes forms with his hands, then levelling the soil
prepared by_ ANTHONY, _traces lines with his finger_) Yes, really--quite
jolly.
(TOM, _after a moment of peering in at them, smiles, goes away._)
HARRY: You're another one of the queer ducks, aren't you? Come now--give
me the dirt. Have you queer ones really got anything--or do you just put
it over on us that you have?
DICK: (_smiles, draws on_) Not saying anything, eh? Well, I guess you're
wise there. If you keep mum--how are we going to prove there's nothing
there?
DICK: I don't keep mum. I draw.
Public-domain text, read in full here on John Shaqi.
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