CLAIRE: So perhaps we'd better look at Blake's drawings, (_takes up the
book_)
ADELAIDE: It would be all right for me to look at Blake's drawings.
You'd better look at the Sistine Madonna, (_affectionately, after she
has watched_ CLAIRE_'s face a moment_) What is it, Claire? Why do you
shut yourself out from us?
CLAIRE: I told you. Because I do not want to be shut in with you.
ADELAIDE: All of this is not very pleasant for Harry.
HARRY: I want Claire to be gay.
CLAIRE: Funny--you should want that, (_speaks unwillingly, a curious,
wistful unwillingness_) Did you ever say a preposterous thing, then go
trailing after the thing you've said and find it wasn't so preposterous?
Here is the circle we are in._describes a big circle_) Being gay. It
shoots little darts through the circle, and a minute later--gaiety all
gone, and you looking through that little hole the gaiety left.
ADELAIDE: (_going to her, as she is still looking through that little
hole_) Claire, dear, I wish I could make you feel how much I care for
you. (_simply, with real feeling_) You can call me all the names you
like--dull, commonplace, lazy--that is a new idea, I confess, but the
rest of our family's gone now, and the love that used to be there
between us all--the only place for it now is between you and me. You
were so much loved, Claire. You oughtn't to try and get away from a
world in which you are so much loved, (_to_ HARRY) Mother--father--all
of us, always loved Claire best. We always loved Claire's queer gaiety.
Now you've got to hand it to us for that, as the children say.
CLAIRE: (_moved, but eyes shining with a queer bright loneliness_) But
never one of you--once--looked with me through the little pricks the
gaiety made--never one of you--once, looked with me at the queer light
that came in through the pricks.
ADELAIDE: And can't you see, dear, that it's better for us we didn't?
And that it would be better for you now if you would just resolutely
look somewhere else? You must see yourself that you haven't the poise of
people who are held--well, within the circle, if you choose to put it
that way. There's something about being in that main body, having one's
roots in the big common experiences, gives a calm which you have missed.
That's _why_ I want you to take Elizabeth, forget yourself, and--
CLAIRE: I do want calm. But mine would have to be a calm I--worked my
way to. A calm all prepared for me--would stink.
ADELAIDE: (_less sympathetically_) I know you have to be yourself,
Claire. But I don't admit you have a right to hurt other people.
HARRY: I think Claire and I had better take a nice long trip.
ADELAIDE: Now why don't you?
CLAIRE: I am taking a trip.
ADELAIDE: Well, Harry isn't, and he'd like to go and wants you to go
with him. Go to Paris and get yourself some awfully good-looking
clothes--and have one grand fling at the gay world. You really love
that, Claire, and you've been awfully dull lately. I think that's the
whole trouble.
Public-domain text, read in full here on John Shaqi.
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