CLAIRE: And perhaps you are. (_he smiles a little_) I feel so desperate,
because if only I could--show you what I am, you might see I could have
without losing. But I'm a stammering thing with you.
TOM: You do show me what you are.
CLAIRE: I've known a few moments that were life. Why don't they help me
now? One was in the air. I was up with Harry--flying--high. It was about
four months before David was born--the doctor was furious--pregnant
women are supposed to keep to earth. We were going fast--I _was_
flying--I had left the earth. And then--within me, movement, for the
first time--stirred to life far in air--movement within. The man unborn,
he too, would fly. And so--I always loved him. He was movement--and
wonder. In his short life were many flights. I never told anyone about
the last one. His little bed was by the window--he wasn't four years
old. It was night, but him not asleep. He saw the morning star--you
know--the morning star. Brighter--stranger--reminiscent--and a promise.
He pointed--'Mother', he asked me, 'what is there--beyond the stars?' A
baby, a sick baby--the morning star. Next night--the finger that pointed
was--(_suddenly bites her own finger_) But, yes, I am glad. He would
always have tried to move and too much would hold him. Wonder would
die--and he'd laugh at soaring, (_looking down, sidewise_) Though I
liked his voice. So I wish you'd stay near me--for I like your voice,
too.
TOM: Claire! That's (_choked_) almost too much.
CLAIRE: (_one of her swift glances--canny, almost practical_) Well, I'm
glad if it is. How can I make it more? (_but what she sees brings its
own change_) I know what it is you're afraid of. It's because I have so
much--yes, why shouldn't I say it?--passion. You feel that in me, don't
you? You think it would swamp everything. But that isn't all there is to
me.
TOM: Oh, I know it! My dearest--why, it's because I know it! You think I
_am_--a fool?
CLAIRE: It's a thing that's--sometimes more than I am. And yet I--I am
more than it is.
TOM: I know. I know about you.
CLAIRE: I don't know that you do. Perhaps if you really knew about
me--you wouldn't go away.
TOM: You're making me suffer, Claire.
CLAIRE: I know I am. I want to. Why shouldn't you suffer? (_now seeing
it more clearly than she has ever seen it_) You know what I think about
you? You're afraid of suffering, and so you stop this side--in what you
persuade yourself is suffering, (_waits, then sends it straight_) You
know--how it is--with me and Dick? (_as she sees him suffer_) Oh, no, I
don't want to hurt you! Let it be you! I'll teach you--you needn't scorn
it. It's rather wonderful.
TOM: Stop that, Claire! That isn't you.
CLAIRE: Why are you so afraid--of letting me be low--if that is low? You
see--(_cannily_) I believe in beauty. I have the faith that can be bad
as well as good. And you know why I have the faith? Because
sometimes--from my lowest moments--beauty has opened as the sea. From a
cave I saw immensity.
Public-domain text, read in full here on John Shaqi.
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