SCENE: _The office of “The People,” a morning in March, 1917. There is
little furniture--a long table strewn with manuscripts and papers, a
desk. On the walls are revolutionary posters; wads of paper are thrown
about on the floor--the office of a publication which is radical and
poor. This is an inner office; at the rear is the door into the outer
one. OSCAR is seated at the table writing. TOM, a printer who loves
the cause--or the crowd--almost enough to print for it, comes from the
other room, a galley-proof in his hand._
TOM
Why are you writing?
OSCAR
[_Jauntily._] Because I am a writer.
TOM
But I thought you said there wasn’t going to be another issue of _The
People_.
OSCAR
[_With dignity._] I am writing.
TOM
There’s a woman here with a suit case.
OSCAR
What’s in it?
TOM
She wants to see the Editor.
OSCAR
[_After writing._] All right.
[_TOM goes out and a moment later the woman appears. She is middle
aged, wears plain clothes not in fashion. Her manner is a little
shrinking and yet as she stands in the doorway looking about the
bare room, her face is the face of one who has come a long way and
reached a wonderful place._
THE WOMAN
This _is_ the office of _The People_?
OSCAR
Um-hum.
THE WOMAN
[_In a bated way._] I came to see the author of those wonderful words.
OSCAR
[_Rising._] Which wonderful words?
THE WOMAN
About moving toward the beautiful distances.
OSCAR
Oh. Those are Mr. Wills’ wonderful words.
[_Begins to write as one who has lost interest._
THE WOMAN
Could I see him?
OSCAR
He isn’t here yet. He’s just back from California. Won’t be at the
office till a little later.
THE WOMAN
[_With excitement._] He has been to California? He has just ridden
across this country?
OSCAR
Yes. Long trip. He was very cross over the ’phone.
THE WOMAN
Oh--no. I think you’re mistaken.
OSCAR
Anything you care to see me about?
THE WOMAN
[_After considering._] I could see him a little later, couldn’t I?
OSCAR
Yes, if its important. Of course he’ll be very busy.
THE WOMAN
It is important. At least--yes, it is important.
OSCAR
Very well then--later in the morning.
THE WOMAN
[_Thinking aloud._] I will stand down on the street and watch the
people go by.
OSCAR
What?
THE WOMAN
The people. It’s so wonderful to see them--so many of them. Don’t you
often just stand and watch them?
OSCAR
No, madam, not often. I am too busy editing a magazine about them.
THE WOMAN
Of course you are busy. You help edit this magazine?
[_Looks about at the posters._
OSCAR
I am associate editor of _The People_.
THE WOMAN
That’s a great thing for you--and you so young. Does Mr. Wills write in
this room?
OSCAR
That is his desk.
THE WOMAN
[_Looking at the desk._] It must be a wonderful thing for you to write
in the same room with him.
OSCAR
Well, I don’t know; perhaps it is a wonderful thing for him to--I am
Oscar Tripp, the poet.
THE WOMAN
Public-domain text, read in full here on John Shaqi.
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