[_Moving forward._] I don’t believe that’s true! I don’t believe that’s
true! Maybe you think that’s why you wrote it, but it’s not the reason.
You wrote it because it’s the living truth, and it moved in you and you
had to say it.
ED
[_Rising._] Who are you?
THE WOMAN
I am one of the people. I have lived a long way off. I heard that call
and--I had to come.
THE BOY
[_Blithely._] I’ve come too. I’m from Georgia. I read it, and I didn’t
want to stay at school any longer. I said, “I want something different
and bigger--something more like this.” I heard about your not being
able to sell your paper on the newsstands just because lots of people
don’t want anything different and bigger, and I said to myself, “I’ll
sell the paper! I’ll go and sell it on the streets!” And I got so
excited about it that I didn’t even wait for the dance. There was a
dance that night, and I had my girl too.
THE WOMAN
He didn’t even wait for the dance.
OSCAR
The idealists are calling upon the intellectuals, and “calling” them.
ED
[_To THE MAN._] And what did you leave, my friend?
THE MAN
[_Heavily._] My oyster bed. I’m from the Cape. I had a chance to go in
on an oyster bed. I read what you wrote--a woman who had stopped in an
automobile left it, and I said to myself, “I’m nothing but an oyster
myself. Guess I’ll come to life.”
ED
But--what did you come here for?
THE MAN
Well--for the rest of it.
ED
The rest of what?
THE MAN
The rest of what you’ve got.
THE BOY
Yes--that’s it; we’ve come for the rest of what you’ve got.
OSCAR
This is awkward for Ed.
THE WOMAN
Give it to us.
ED
What?
THE WOMAN
The rest of it.
ED
[_An instant’s pause._] I haven’t got anything more to give.
THE BOY
But you made us think you had. You led us to believe you had.
THE WOMAN
And you have. If you hadn’t more to give, you couldn’t have given that.
OSCAR
Very awkward.
THE WOMAN
You said--“I call to _you_. You who have dreamed, and dreaming know,
and knowing care.” Well, three of us are here. From the South and the
East and the West we’ve come because you made us want something we
didn’t have, made us want it so much we had to move the way we thought
was toward it--before the sun goes down.
THE BOY
We thought people here had life--something different and bigger.
OSCAR
Perhaps we’d better go. Poor Ed.
ED
I wish you’d shut up, Oscar.
THE WOMAN
I know you will give it to us.
ED
Give _what_ to you?
THE WOMAN
What you have for the people. [_OSCAR coughs._] What you made us know
we need.
OSCAR
You shouldn’t have called personally. You should have sent in your
needs by mail.
ED
Oscar, try and act as if you had a soul.
THE WOMAN
I think he really has. [_A look at OSCAR--then, warmly._] At least he
has a heart. It’s only that he feels he must be witty. But you--you’re
not going to let us just go away again, are you? He gave up his oyster
bed, and this boy didn’t even wait for the dance, and me--I gave up my
tombstone.
ED
Your--?
THE WOMAN
Public-domain text, read in full here on John Shaqi.
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