Great Britain -- History; Theater -- Great Britain -- History; Theater -- Moral and ethical aspects; Theater -- Religious aspects
In applying the same canon to the dress of women they were wrong. As in
other matters, they had hold of one pole of a double truth, and erred in
applying it exclusively to all cases. But there are two things to be
said for them; first, that the dress of that day was palpably an
incentive to the profligacy of that day, and therefore had to be
protested against; while in these more moral times ornaments and fashions
may be harmlessly used which then could not be used without harm. Next,
it is undeniable that sober dressing is more and more becoming the
fashion among well-bred women; and that among them, too, the Puritan
canons are gaining ground.
We have just said that the Puritans held too exclusively to one pole of a
double truth. They did so, no doubt, in their hatred of the drama.
Their belief that human relations were, if not exactly sinful, at least
altogether carnal and unspiritual, prevented their conceiving the
possibility of any truly Christian drama; and led them at times into
strange and sad errors, like that New England ukase of Cotton Mather’s,
who is said to have punished the woman who should kiss her infant on the
Sabbath day. Yet their extravagances on this point were but the honest
revulsion from other extravagances on the opposite side. If the
undistinguishing and immoral Autotheism of the playwrights, and the
luxury and heathendom of the higher classes, first in Italy and then in
England, were the natural revolt of the human mind against the Manichæism
of monkery: then the severity and exclusiveness of Puritanism was a
natural and necessary revolt against that luxury and immorality; a
protest for man’s God-given superiority over nature, against that
Naturalism which threatened to end in sheer animalism. While Italian
prelates have found an apologist in Mr. Roscoe, and English playwrights
in Mr. Gifford, the old Puritans, who felt and asserted, however
extravagantly, that there was an eternal law which was above all Borgias
and Machiavels, Stuarts and Fletchers, have surely a right to a fair
trial. If they went too far in their contempt for humanity, certainly no
one interfered to set them right. The Anglicans of that time, who held
intrinsically the same anthropologic notions, and yet wanted the courage
and sincerity to carry them out as honestly, neither could nor would
throw any light upon the controversy; and the only class who sided with
the poor playwrights in asserting that there were more things in man, and
more excuses for man, than were dreamt of in Prynne’s philosophy, were
the Jesuit Casuists, who, by a fatal perverseness, used all their little
knowledge of human nature to the same undesirable purpose as the
playwrights; namely, to prove how it was possible to commit every
conceivable sinful action without sinning. No wonder that in an age in
which courtiers and theatre-haunters were turning Romanists by the dozen,
and the priest-ridden queen was the chief patroness of the theatre, the
Public-domain text, read in full here on John Shaqi.
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