Great Britain -- History; Theater -- Great Britain -- History; Theater -- Moral and ethical aspects; Theater -- Religious aspects
No doubt, as Mr. Gifford says, the Puritans were exasperated against the
stage-players by the insults heaped on them; but the cause of quarrel lay
far deeper than any such personal soreness. The Puritans had attacked
the players before the players meddled with them, and that on principle;
with what justification must be considered hereafter. But the fact is
(and this seems to have been, like many other facts, conveniently
forgotten), that the Puritans were by no means alone in their protest
against the stage, and that the war was not begun exclusively by them.
As early as the latter half of the sixteenth century, not merely
Northbrooke, Gosson, Stubs, and Reynolds had lifted up their voices
against them, but Archbishop Parker, Bishop Babington, Bishop Hall, and
the author of the _Mirror for Magistrates_. The University of Oxford, in
1584, had passed a statute forbidding common plays and players in the
university, on the very same moral grounds on which the Puritans objected
to them. The city of London, in 1580, had obtained from the Queen the
suppression of plays on Sundays; and not long after, ‘considering that
play-houses and dicing-houses were traps for young gentlemen and others,’
obtained leave from the Queen and Privy Council to thrust the players out
of the city, and to pull down the play-houses, five in number; and,
paradoxical as it may seem, there is little doubt that, by the letter of
the law, ‘stage plays and enterludes’ were, even to the end of Charles
the First’s reign, ‘unlawful pastime,’ being forbidden by 14 Eliz., 39
Eliz., 1 Jacobi, 3 Jacobi, and 1 Caroli, and the players subject to
severe punishment as ‘rogues and vagabonds.’ The Act of 1 Jacobi seems
even to have gone so far as to repeal the clauses which, in Elizabeth’s
reign, had allowed companies of players the protection of a ‘baron or
honourable person of greater degree,’ who might ‘authorise them to play
under his hand and seal of arms.’ So that the Puritans were only
demanding of the sovereigns that they should enforce the very laws which
they themselves had made, and which they and their nobles were setting at
defiance. Whether the plays ought to have been put down, and whether the
laws were necessary, is a different question; but certainly the court and
the aristocracy stood in the questionable, though too common, position of
men who made laws which prohibited to the poor amusements in which they
themselves indulged without restraint.
Public-domain text, read in full here on John Shaqi.
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