Plays: Being: An unhistorical pastoral: A romantic farce: Bruce, a chronicle play: Smith, a tragic farce: and Scaramouch in Naxos, a pantomime.
General
Plays: Being: An unhistorical pastoral: A romantic farce: Bruce, a chronicle play: Smith, a tragic farce: and Scaramouch in Naxos, a pantomime.
Drama
somewhat; but concerning Mademoiselle Eulalie, the Prince's sweetheart, we
are in Egyptian darkness.
Scipio. Behold, her mother is a fisherman's widow, who in her poverty
nursed the half-drowned prince, pinching herself and her daughter, who
was, if possible, more willing to be starved that the unknown sick
gentleman might have dainties. She has no gold but the gold of her hair;
and no jewels save her eyes. If beauty be riches, her wealth is
incalculable; moreover, it is safely lodged in the bank of health.
Felice. And the Prince, by legal usury, would increase her beauty if
she would permit him.
Scipio. Even so. But there is another merchant in terms for this
commodity, for such he would make her. He has more bushels of gold than
stones of flesh, and more carnality than wisdom. He is as strong as a
horse, but a most outrageous braggart, and little better than a coward. He
makes great estimation of his personal appearance, and his figure would be
passable enough were it not so bent with worshipping his calves. He
dresses like a herald or a macer; and grows the eccentricities of fashion
into absurdities, lopping such as by their generality have almost become
beauties. This great monkey must needs fall in love with my dainty
Eulalie; and finding, though he come before her as gaudy as a serpent,
that he works no fascination upon her, he has betaken himself to other
charms, and hopes to approach her in a shower of gold.
Felice. But she is no Danae, you would say; and that this would-be
Jupiter will find. Now, what do you think? Shall we play some trick
upon--what d'ye call him?
Scipio. Torello. By Jove, I would give something to see him taken
down a peg!
Bruno. We'll peg him. We'll whip him about like a top.
Felice. Then let us, as we wend along, conclude
Some scheme to harm Torello for his good.
ACT III
SCENE I.--A Road.
Enter Felice, Bruno and Scipio.
Scipio. Yonder he is, puzzling over a paper. Neither of your
lordships knows him?
Felice. No.
Scipio. It is no wonder. Since he fell in love he affects a kind of
bearish melancholy; secludes himself; feeds his passion on fish, and has
gross dreams. It will take some angling to catch him, gudgeon and all as
he is.
Enter Torello.
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