Plays: Being: An unhistorical pastoral: A romantic farce: Bruce, a chronicle play: Smith, a tragic farce: and Scaramouch in Naxos, a pantomime. — John Shaqi
Plays: Being: An unhistorical pastoral: A romantic farce: Bruce, a chronicle play: Smith, a tragic farce: and Scaramouch in Naxos, a pantomime.
General
Plays: Being: An unhistorical pastoral: A romantic farce: Bruce, a chronicle play: Smith, a tragic farce: and Scaramouch in Naxos, a pantomime.
Drama
Transgressed my own decrees, into night's ear,
And must not prosecute their wantonness,
Since I, their mistress, have forgot their crimes--
This, recent, and that past, done to your face--
Not knowing if I have forgiven them.
I pray you, sir, forget them too--I pray you.
Rupert. Ah, thou dost fear the honour of my love!
I will forget. Therefore, fair Eulalie,
Most worshipful and low-adored goddess,
I love thee more than any tongue can tell,
And more than all the world beside can love;
More lovingly, more truly, I love thee
Than any lover that has ever loved.
Dost thou love me, and wilt thou marry me?
Eulalie. I love thee with a love not to be shouted:
It is as huge and glowing as the sun,
And it will burn when that clear lamp is out:
Thou art its infinite vitality:
It is as spacious as the element,
And thou art heaven and earth, and all between.
Marry thee, Rupert, Prince of Belmarie?
I know I dream. Ah me, when I shall wake!
Rupert. I know I dream not: lips so sensible,
So warm as thine, no dreamy spectre bears.
Eulalie. In sleep love's ecstacy's omnipotent.
So sweet a dream as this were best soon done,
That lasting memories may less deplore.
Good-night, fair vision: heaven languishes for thee;
Thine absence has bedimmed its radiance.
Rupert. I am thy true love, and thou dost not dream:
'Tis not thy wraith, but thee thyself I clasp.
Eulalie. O, art thou flesh and blood? Dear love, good night.
I'll not believe I have no filtre quaffed,
And am not wandering in some blissful land,
Where midnight and pale moonshine ever reign,
And lover's wishes are made true events,
Unless I light my lamp in my own room
And see my bed unruffled. Good-night, love.--
Pluck me a rose that I may surely know
It is no waking vision I have seen,
If I should find I have not been asleep.
Exquisite dream, come to the door with me.
[They go out.
Rupert. [Re-entering] O, I am new-born, fit for highest deeds!
Now, could I, like old Atlas, bear the world
With all its cares upon my shoulders twain,
And say 'twas light, if but my finger-tips
Rested upon my sweetheart's lily hand.
I'll to the woods till Eulalie has found
Our love is true and sweeter than a dream.
[Goes out.
SCENE II.--An Eminence in a Wood.
Enter Felice, Bruno and Torello.
Torello. May this sorceress be approached safely?
Felice. O, she'll not bite.
Bruno. She'll only give you a bit of her mind.
Torello. I may chance to give her a bit of mine if she be not civil.
Bruno. A bit is good for a jade.
Torello. By Jupiter, she'd best play me no jade's tricks. Shall we on?
Felice. Yes; over this knoll.
Enter Rupert. He does not observe the others.
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