Plays: Being: An unhistorical pastoral: A romantic farce: Bruce, a chronicle play: Smith, a tragic farce: and Scaramouch in Naxos, a pantomime. — John Shaqi
Plays: Being: An unhistorical pastoral: A romantic farce: Bruce, a chronicle play: Smith, a tragic farce: and Scaramouch in Naxos, a pantomime.
General
Plays: Being: An unhistorical pastoral: A romantic farce: Bruce, a chronicle play: Smith, a tragic farce: and Scaramouch in Naxos, a pantomime.
Drama
And you, sweet summer--Flora?
Summer. I'd be called,
And for no other reason than I would,
Not Flora, no, nor Maud, but Mary-Jane.
Courtier [to Peasant-girl]. Sweet lowland lass--alas, without a lad!--
Will you be of us and yourself re-christen.
Peasant-girl. I harboured here to shun a horrid man
Whom I saw, like a pirate, bearing down
To rob me of a dance. I'll sport with you.
Courtier. What name, then, lassie?--Effie, Jeanie, Katie?
Peasant-girl. No; call me May Montgomery, if you please.
Courtier. What? May Montgomery! Why choose that name?
None of the rest have been extravagant
To take a surname's luxury.
May. Let me--
Nay, for I will: I'll not be in the fashion:
And it will be a pleasing penance, too.
Courtier. A pleasing penance! Can you tell us how?
May. I scarcely like. But, sir, I like your play,
Because I would be called Montgomery.
Courtier. Then, May Montgomery, tell us your romance.
May. Alas, the speed I have to tell my tale
Is slow as melancholy thoughts can be,
That strike as often as a passing-bell:
A bitter-sweet confession I must make.
O ladies, do not fit your faces, pray,
For some iniquity! Sadly, 'tis this.
In Paris, where I lived a year ago,
A youth fell sick in love for worthless me:
I marvel now, though then I thought it due:
Yet love creates, being a divinity,
What it affects; and his most holy love
Inspired poor me with beauty not my own,
Though still I wonder that what grace I have
Could be enriched with such induement sweet
As he cast over it; for at that time
He lacked his passion's courage, so he wrote
A tender tale whose heroine was me,
But metamorphosed to a deity.
The book is throbbing like his fiery heart;
This I have learned with memorising it:
And now it is my only orison,
My only literature, my only joy.
I lull myself to sleep low-murmuring it,
And in my dreams its sweetest scenes enact;
I waken smiling in his tender arms,
And sob to find mine clasped about myself.
After his book he came to hear his doom:
Trembling he stood: I, wanton, doomed us both--
Him to his grave, for then I loved him not;
Myself, to love him now most hopelessly.
And May Montgomery in his book I am:
Pray, call me so; it is a lovely name.
Courtier. And is your lover dead?
May. I fear it, sir.
Courtier. Now, are we named anew, all except me.
How will you call me? Come, give me a name.
What in his story is your lover hight?
May. Earl Edmund; and the whisper went that he
By right was lord of many lands and towers
In Scotland here: but that I do not know.
Courtier. I pray you, bid me take that name.
May. O no!
Earl Edmund! That were blasphemy!--But yes!
I will be glad to speak it out aloud.
Edmund. Speak it, I pray, as often as you choose.--
Well, I am tired of barring up this door.
So, on the morrow, by the stroke of noon
Public-domain text, read in full here on John Shaqi.
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