Plays: Being: An unhistorical pastoral: A romantic farce: Bruce, a chronicle play: Smith, a tragic farce: and Scaramouch in Naxos, a pantomime. — John Shaqi
Plays: Being: An unhistorical pastoral: A romantic farce: Bruce, a chronicle play: Smith, a tragic farce: and Scaramouch in Naxos, a pantomime.
General
Plays: Being: An unhistorical pastoral: A romantic farce: Bruce, a chronicle play: Smith, a tragic farce: and Scaramouch in Naxos, a pantomime.
Drama
Such as we purpose with the treacherous aid
Of that twice-suborned spy, my lady's maid;
Which, with your help, we've sworn to amplify,
Or on an everlasting kiss to die.
Sebastian. Yet wherefore fly to such a far-off isle?
Unbroken time to love, and nature's smile,
With safety unmolested, you may reach
Upon some neighbouring and less dangerous beach.
Cinthio. We have solaced our souls with hope of bliss
In that far isle; not there, then paradise:
Being bound for heaven, not storms, not rocks can fray us,
Yea, dreadless death more swiftly would convey us.
Sebastian. Then nothing moves you. Yet, take tent and think:
They need not drown who still stand on the brink;
And let me tell you, if I rightly deem,
These isles are all as fragile as they seem;
Strong as the spider's web, the poor fly's tomb,
Fixed as the rainbow on a crest of foam,
Stable as any luring bright mirage,
Torn into ribbons by the ruthless wind,
Whelmed by the multitudinous waves' wild dash,
Gone like a dream leaving no trace behind.
Cinthio. If you, my best Sebastian, bear us hence,
We'll prove this doctrine by experience.
Sebastian. Its truth will be expounded by th' event.
Must all things fit that you may sail to-night?
Cinthio. Not until after midnight, for our flight
Must be with stealth, and cautious management.
Sebastian. Love's gentle goddess prosper your intent!
Two hours past night's dark noon I'll meet you here.
Cinthio. Farewell till then.
Sebastian. Farewell, and no ill fear.
Of what I said, dissuading, have no care:
Blow high, blow low, we this adventure dare.
[They go out separately.
SCENE II.--Dolorosa. A Room in Guido's House.
Enter Alardo, Conrad, and Guido.
Public-domain text, read in full here on John Shaqi.
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