Plays: Being: An unhistorical pastoral: A romantic farce: Bruce, a chronicle play: Smith, a tragic farce: and Scaramouch in Naxos, a pantomime.
General
Plays: Being: An unhistorical pastoral: A romantic farce: Bruce, a chronicle play: Smith, a tragic farce: and Scaramouch in Naxos, a pantomime.
Drama
That's not so well; but being a man's son
The youthful blood that warmed his father's veins,
Now briskly runs in his. We'll find a bit
To stay its galloping, or suasion soft
To woo it from from such skittish practices.
Guido. Please it your highness, now to tell me why
I have been honoured first to taste the joy
Of your long-prayed-for presence in your land,
Rather than to delight at once your son.
Alardo. I doubted that he was no son of mine,
But some impostor. 'Twas a foolish fear
With hope twin-born by information scant
That there was cause to hope; so, thinking well
That should I rush to this youth unadvised
The fear would like a hated step-child fare,
And passion nurse the longed-for hope alone,
I wisely verified report in you.
Now, use your wits; devise some plan whereby
I may, myself unknown, confer with Rupert.
Guido. to-day a custom, ancient, all-observed,
But savouring in my mind of pagan rites,
And unbecoming folk of Christendom,
Is followed by our sheepish villagers,
Who in their day and generation act
What by their ancestors has been performed,
In timely order tumbling in the ditch
Some silly, old, bell-wether age first filled.
to-day our youth are met upon the green
To plot a treason licensed by the time,
Which is, to choose a king and queen of May
To reign to-morrow and each holiday;
To whom, alone, they shall allegiance swear
At every festal season of the year.
There Rupert courts his lovely, well-loved quean,
Who will be crowned, if I guess rightly, queen;
And he, most like, so highly throned by birth,
Will reign their monarch on a seat of earth.
In some disguise conceal your royalty;
Go there; inspect your son, and be as free
As though you wore no mask: every degree
Has access to him in this pageantry.
Alardo. A very feasible and pleasant plot.
Come, Conrad, comrade us: since by our lot
Comrades we have been for so long a spell
In danger and in woe, it chords right well
That we be still in unison for joy;
You saw me lose, behold me find my boy.
Conrad. I will, my lord.--Vouchsafe to call to mind
My dead wife's image.
Alardo. Strange! I am inclined
To think of her full oft within these hours.
I see her now, of many lovely flowers
That graced our youthful court the loveliest;
My sweet, her queen; she, queen of all the rest.
The shepherd whose direction helped us here--
'Tis he recalls your lady's pleasant cheer;
Her voice, her smile, her action, yea, her face,
Stronger, being male, as coy, to suit his place.
Conrad. He is, indeed, the picture of her youth.
Conviction now lacks nothing of the truth.
He'll be among those playful-treacherous ones,
Where let us haste to find two long-lost sons.
[They go out.
ACT II
SCENE I.--A Room in Martha's House.
Enter Eulalie.
Eulalie. O little heart of mine, why ache you so?
Enter Martha.
Public-domain text, read in full here on John Shaqi.
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