Plays by Anton Chekhov, Second SeriesChekhov, Anton Pavlovich
General
Plays by Anton Chekhov, Second Series
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russian drama -- Translations into English
MURASHKIN. It would be such a friendly action! I implore you, my dear
man. In the first place, give Olga Pavlovna my very kind regards. In the
second place, there’s a little thing I’d like you to take down to her.
She asked me to get a sewing-machine but I haven’t anybody to send it
down to her by.... You take it, my dear! And you might at the same time
take down this canary in its cage... only be careful, or you’ll break
the door.... What are you looking at me like that for?
TOLKACHOV. A sewing-machine... a canary in a cage... siskins,
chaffinches...
MURASHKIN. Ivan Ivanovitch, what’s the matter with you? Why are you
turning purple?
TOLKACHOV. [Stamping] Give me the sewing-machine! Where’s the bird-cage?
Now get on top yourself! Eat me! Tear me to pieces! Kill me! [Clenching
his fists] I want blood! Blood! Blood!
MURASHKIN. You’ve gone mad!
TOLKACHOV. [Treading on his feet] I want blood! Blood!
MURASHKIN. [In horror] He’s gone mad! [Shouts] Peter! Maria! Where are
you? Help!
TOLKACHOV. [Chasing him round the room] I want blood! Blood!
Curtain.
THE ANNIVERSARY
CHARACTERS
ANDREY ANDREYEVITCH SHIPUCHIN, Chairman of the N---- Joint Stock
Bank, a middle-aged man, with a monocle
TATIANA ALEXEYEVNA, his wife, aged 25
KUSMA NICOLAIEVITCH KHIRIN, the bank’s aged book-keeper
NASTASYA FYODOROVNA MERCHUTKINA, an old woman wearing an old-fashioned
cloak
DIRECTORS OF THE BANK
EMPLOYEES OF THE BANK
The action takes place at the Bank
[The private office of the Chairman of Directors. On the left is a door,
leading into the public department. There are two desks. The furniture
aims at a deliberately luxurious effect, with armchairs covered in
velvet, flowers, statues, carpets, and a telephone. It is midday. KHIRIN
is alone; he wears long felt boots, and is shouting through the door.]
Public-domain text, read in full here on John Shaqi.
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