CHANTREY. Oh, well, we'll make short work of that. I want to get off by
eleven, Harris. I shall be late for the first drive anyway. John
Builder! I say, Mayor--but for the grace of God, there go we!
MAYOR. Harris, go out and bring them in yourself; don't let the
servants--
HARRIS goes out Left. The MAYOR takes the upper chair behind the
bureau, sitting rather higher because of the book than CHANTREY, who
takes the lower. Now that they are in the seats of justice, a sort
of reticence falls on them, as if they were afraid of giving away
their attitudes of mind to some unseen presence.
MAYOR. [Suddenly] H'm!
CHANTREY. Touch of frost. Birds ought to come well to the guns--no
wind. I like these October days.
MAYOR. I think I 'ear them. H'm.
CHANTREY drops his eyeglass and puts on a pair of "grandfather"
spectacles. The MAYOR clears his throat and takes up a pen. They
neither of them look up as the door is opened and a little
procession files in. First HARRIS; then RALPH BUILDER, ATHENE,
HERRINGHAME, MAUD, MRS BUILDER, SERGEANT MARTIN, carrying a heavy
Malacca cane with a silver knob; JOHN BUILDER and the CONSTABLE
MOON, a young man with one black eye. No funeral was ever attended
by mutes so solemn and dejected. They stand in a sort of row.
MAYOR. [Without looking up] Sit down, ladies; sit down.
HARRIS and HERRINGHAME succeed in placing the three women in chairs.
RALPH BUILDER also sits. HERRINGHAME stands behind. JOHN BUILDER
remains standing between the two POLICEMEN. His face is unshaved
and menacing, but he stands erect staring straight at the MAYOR.
HARRIS goes to the side of the bureau, Back, to take down the
evidence.
MAYOR. Charges!
SERGEANT. John Builder, of The Cornerways, Breconridge, Contractor and
Justice of the Peace, charged with assaulting his daughter Maud Builder
by striking her with a stick in the presence of Constable Moon and two
other persons; also with resisting Constable Moon in the execution of his
duty, and injuring his eye. Constable Moon!
MOON. [Stepping forward-one, two--like an automaton, and saluting] In
River Road yesterday afternoon, Your Worship, about three-thirty p.m., I
was attracted by a young woman callin' "Constable" outside a courtyard.
On hearing the words "Follow me, quick," I followed her to a painter's
studio inside the courtyard, where I found three persons in the act of
disagreement. No sooner 'ad I appeared than the defendant, who was
engaged in draggin' a woman towards the door, turns to the young woman
who accompanied me, with violence. "You dare, father," she says;
whereupon he hit her twice with the stick the same which is produced, in
the presence of myself and the two other persons, which I'm given to
understand is his wife and other daughter.
MAYOR. Yes; never mind what you're given to understand.
Public-domain text, read in full here on John Shaqi.
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