BOY'S VOICE. [In a forceful whisper] Johnny Builder!
BUILDER stirs uneasily. The Boy's head vanishes. BUILDER, raising
his other hand, makes a sweep before his face, as if to brush away a
mosquito. He wakes. Takes in remembrance, and sits a moment
staring gloomily before him. The door from the hall is opened and
TOPPING comes in with a long envelope in his hand.
TOPPING. [Approaching] From the "Comet," sir. Proof of your interview,
sir; will you please revise, the messenger says; he wants to take it back
at once.
BUILDER. [Taking it] All right. I'll ring.
TOPPING. Shall I close in, sir?
BUILDER. Not now.
TOPPING withdraws. BUILDER turns up a standard lamp on the table,
opens the envelope, and begins reading the galley slip. The signs
of uneasiness and discomfort grow on him.
BUILDER. Did I say that? Muck! Muck! [He drops the proof, sits a
moment moving his head and rubbing one hand uneasily on the surface of
the table, then reaches out for the telephone receiver] Town, 245.
[Pause] The "Comet"? John Builder. Give me the Editor. [Pause] That
you, Mr Editor? John Builder speaking. That interview. I've got the
proof. It won't do. Scrap the whole thing, please. I don't want to say
anything. [Pause] Yes. I know I said it all; I can't help that.
[Pause] No; I've changed my mind. Scrap it, please. [Pause] No,
I will not say anything. [Pause] You can say what you dam' well please.
[Pause] I mean it; if you put a word into my mouth, I'll sue you for
defamation of character. It's undignified muck. I'm tearing it up.
Good-night. [He replaces the receiver, and touches a bell; then, taking
up the galley slip, he tears it viciously across into many pieces, and
rams them into the envelope.]
TOPPING enters.
Here, give this to the messenger-sharp, and tell him to run with it.
TOPPING. [Whose hand can feel the condition of the contents, with a
certain surprise] Yes, sir.
He goes, with a look back from the door.
The Mayor is here, sir. I don't know whether you would wish
BUILDER, rising, takes a turn up and down the room.
BUILDER. Nor do I. Yes! I'll see him.
TOPPING goes out, and BUILDER stands over by the fender, with his
head a little down.
TOPPING. [Re-entering] The Mayor, sir.
He retires up Left. The MAYOR is overcoated, and carries, of all
things, a top hat. He reaches the centre of the room before he
speaks.
MAYOR. [Embarrassed] Well, Builder?
BUILDER. Well?
MAYOR. Come! That caution of mine was quite parliamentary. I 'ad to
save face, you know.
BUILDER. And what about my face?
MAYOR. Well, you--you made it difficult for me. 'Ang it all! Put
yourself into my place!
BUILDER. [Grimly] I'd rather put you into mine, as it was last night.
Public-domain text, read in full here on John Shaqi.
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