Pardon me, Madam Chairman, but it seems to me your daughter’s views as to
whether Anna should have gone with Luciano or not are wholly irrelevant.
They do not concern us. They are unimportant. Now, Giacosa—
MRS. FESSENDEN.
Pardon me, Mrs. Brokmorton, you may be right technically, but I am a
mother first, chairman of this class second. There is a far higher
question involved than consideration of a play. I shall put the question
to each one! [_She fixes MISS JENNINGS with her eye._] Miss Jennings, do
you?
MISS JENNINGS.
[_With a gulp. She has been weeping off and on from the general
intensity and the difficulty of keeping her minutes._]
No.
MRS. FESSENDEN.
Mrs. Stedman, do you?
MRS. STEDMAN.
No!!
MRS. FESSENDEN.
Mrs. Brokmorton, do you?
MRS. BROKMORTON.
Of course not; but it doesn’t matter—
MRS. BENNETT.
[_Badly scared, feeling she has precipitated the row. She wants
to say “No,” and almost does so, then, recalling she must stand
by MISS FESSENDEN, she murmurs_:]
I don’t think so.
MRS. FESSENDEN.
You don’t think so! That means you agree at heart, but don’t dare say so?
Am I right?
MRS. BENNETT.
No, no! Oh, dear!
MRS. FESSENDEN.
It would seem the younger generation does not know the meaning of the
word S-I-N.
[_Hurly-burly begins again._]
MRS. FESSENDEN.
Order! Order!
CURTAIN.
EXTREME UNCTION
_Played for the first time on October 23 and 24, 1914, by Miss ISABEL
MCBIRNEY, Miss VOLNEY FOSTER, Mrs. EDWARD POPE, Mrs. HENRY HUBBARD, and
Mr. ROSECRANS BALDWIN._
EXTREME UNCTION.
CHARACTERS:
A DYING PROSTITUTE
A SALVATION ARMY LASSIE
A SOCIETY LADY
A DOCTOR
A NURSE
SCENE: _The screened space around a high, narrow bed in a
hospital ward. Record-card hanging above. The screens have
anti-septic white sheets over them._
_When the curtain rises the nurse is straightening and tucking
in with uncomfortable tightness the white counterpane of the
bed. On the bed, with eyes closed, lies what is left of a girl
of eighteen or twenty. The nurse takes the thermometer from the
girl’s mouth, looks at it, shakes her head, and makes a record
note on the chart. She gives the girl water to drink and leaves
her with a final pull to straighten the bedclothes. The girl
tosses restlessly, moans a little and impatiently kicks at and
pulls the bedclothes out at the foot, exclaiming, “God, I wish
they’d lemme ’lone!”_
[_THE LADY enters._]
THE LADY.
Hattie dear, were you sleeping? No? See, I’ve brought you some roses.
Aren’t they fresh and sweet? Shall I put them in water?
THE GIRL.
I don’ want ’em!
THE LADY.
All right, dear. We’ll just put them aside. I know sometimes the perfume
is too strong if one isn’t quite oneself. Shall I read to you?
THE GIRL.
If you want to.
THE LADY.
What shall I read?
THE GIRL.
I don’ care.
THE LADY.
A story, perhaps?
THE GIRL.
All right—fire it off.
THE LADY.
Public-domain text, read in full here on John Shaqi.
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