Playwrights on playmaking : $b and other studies of the stage — John Shaqi
Playwrights on playmaking : $b and other studies of the stageMatthews, Brander
History
Playwrights on playmaking : $b and other studies of the stage
Matthews, Brander
Drama -- History and criticism; Theater
TRANSCRIBER’S NOTE
Italic text is denoted by _underscores_.
Some minor changes to the text are noted at the end of the book.
_Books by Brander Matthews_
These Many Years, Recollections of a New Yorker
BIOGRAPHIES
Shakspere as a Playwright
Molière, His Life and His Works
ESSAYS AND CRITICISMS
The Principles of Playmaking
French Dramatists of the 19th Century
Pen and Ink, Essays on subjects of more or less importance
Aspects of Fiction, and other Essays
The Historical Novel, and other Essays
Parts of Speech, Essays on English
The Development of the Drama
Inquiries and Opinions
The American of the Future, and other Essays
Gateways to Literature, and other Essays
On Acting
A Book About the Theater
The Principles of Playmaking, and other Discussions of the Drama
Essays on English
The Tocsin of Revolt and other Essays
Playwrights on Playmaking, and other Studies of the Stage
Vignettes of Manhattan; Outlines in Local Color
PLAYWRIGHTS ON PLAYMAKING
AND OTHER
STUDIES OF THE STAGE
PLAYWRIGHTS ON
PLAYMAKING
AND OTHER STUDIES OF THE STAGE
BY
BRANDER MATTHEWS
MEMBER OF THE AMERICAN ACADEMY OF ARTS AND LETTERS
PROFESSOR OF DRAMATIC LITERATURE IN COLUMBIA UNIVERSITY
CHARLES SCRIBNER’S SONS
NEW YORK · LONDON
1923
Copyright, 1923, by
CHARLES SCRIBNER’S SONS
Printed in the United States of America
Published September, 1923
[Illustration: (colophon)]
TO THE MEMORY OF
E. L. BURLINGAME
My Friend for more than Forty Years
PREFATORY NOTE
As I have trod the long trail which leads slowly to the summit of
three score years and ten, and as I am now swiftly descending into
the dim valley beyond, this sheaf of essays is probably the last that
I shall garner; and my septuagenarian vanity prompts me to set down
here the theories of the theater that I have made my own after half a
century of playgoing and of persistent effort to spy out the secrets
of stage-craft. To me these theories appear so indisputable and,
indeed, so obvious that I am ever surprized when I chance to see them
challenged. They are not many, and they can be declared briefly.
I. The drama is an art, the laws of which (like those of all the
other arts) are unchanging through the ages, altho their application
has varied from century to century and from country to country.
Public-domain text, read in full here on John Shaqi.
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