Currents shifted and repatterned themselves inside the helmet and were
fed into Allenby at the base of his skull, at the medulla. The currents
of alternating ions mixed with the currents of his varied and random
brain waves, and the impulses of one became the impulses of the other.
Allenby jerked once with the initial shock and was then still, his mind
and body fused with the pulsating currents of the chair.
Suddenly, Roger Allenby was almost blinded by bright, naked light.
Allenby's first impression was one of disappointment at the failure of
the device. Jenkins was reliable, usually, and hadn't come up with a
fluke yet.
Allenby got out of the chair and called for Jenkins, holding on to the
arm of the chair to keep his bearings. "Hey! Where are you? Jenkins!" He
tried to look around him but the bright, intense light revealed nothing.
He swore to himself, extending his arms in front of him for something to
grasp. As he groped for a solid, the light became more subdued and
shifted from white into a light, pleasant blue.
* * * * *
Shapes and forms rearranged themselves in front of him and gradually
became distinguishable. He was in a city, or on top of a city. A
panoramic view was before him and he saw the creations of human beings,
obviously, but a culture far removed from his. A slight path of white
began at his feet and expanded as it fell slightly, ramplike, over and
into the city. The buildings were whiter than the gate of false dreams
that Penelope sung of and the streets and avenues were blue, not gray.
The people wore white and milled about in the streets below him. They
shouted as one; their voices were not cries but songs and they sang his
name.
He started walking on the white strip. It was flexible and supported his
weight easily. Then he was running, finding his breath coming in sharp
gasps and he was among the crowds. They smiled at him as he passed by
and held out their hands to him. Their faces shone with a brilliance of
awareness and he knew that they loved him. Troubled, frightened, he kept
running, blindly, and, abruptly, there were no people, no buildings.
He was walking now, at the left side of a modern super-highway, against
the traffic. Autos sped by him, too quickly for him to determine the
year of model. Across the divider the traffic was heavier, autos
speeding crazily ahead in the direction he was walking; none stopped. He
halted for a moment and looked around him. There was nothing on the
sides of the road: no people, no fields, no farms, no cities, no
blackness. There was nothing. But far ahead there was green etched
around the horizon as the road dipped and the cars sped over it. He
walked more quickly, catching his breath, and came closer and closer to
the green.
Public-domain text, read in full here on John Shaqi.
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