So much then for sense-beauties which, descending on matter like images and shadows, beautify it and thereby compel our admiration. 4. Now we shall leave the senses in their lower sphere, and we shall rise to the contemplation of the beauties of a superior order, of which the senses have no intuition, but which the soul perceives and expresses. INTERIOR BEAUTIES COULD NOT BE APPRECIATED WITHOUT AN INTERIOR MODEL. Just as we could not have spoken of sense-beauties if we had never seen them, nor recognized them as such, if, in respect to them, we had been similar to persons born blind, likewise we would not know enough to say anything about the beauty either of the arts or sciences, or of anything of the kind, if we were not already in possession of this kind of beauty; nor of the splendor of virtue, if we had not contemplated the ("golden) face of Justice," and of temperance, before whose splendor the morning and evening stars grow pale. MORAL BEAUTIES MORE DELIGHTFUL THAN SENSE-BEAUTIES. To see these beauties, they must be contemplated by the faculty our soul has received; then, while contemplating them, we shall experience far more pleasure, astonishment and admiration, than in contemplation of the sense-beauties, because we will have the intuition of veritable beauties. The sentiments inspired by beauty are admiration, a gentle charm, desire, love, and a pleasurable impulse. THEY WHO FEEL THESE SENTIMENTS MOST KEENLY ARE CALLED LOVERS. Such are the sentiments for invisible beauties which should be felt, and indeed are experienced by all souls, but especially by the most loving. In the presence of beautiful bodies, all indeed see them; but not all are equally moved. Those who are most moved are designated "lovers."[30] THE CAUSE OF THESE EMOTIONS IS THE INVISIBLE SOUL.