7. It may however be objected that if the soul produce the nature of a brute only when she is depraved and degraded, she was not originally destined to produce an ox or a horse; then the ("seminal) reason" of the horse, as well as the horse itself, will be contrary to the nature (of the soul). No: they are inferior to her nature, but they are not contrary to her. From her very origin, the soul was (potentially) the ("seminal) reason" of a horse or a dog. When permitted, the soul which was to beget an animal, produces something better; when hindered, she (only) produces what accords with the circumstances. She resembles the artists who, knowing how to produce several figures, create either the one they have received the order to create, or the one that is most suited to the material at hand. What hinders the (natural and generative) power of the universal Soul, in her quality of universal ("seminal) Reason," from sketching out the outlines of the body, before the soul powers (or, individual souls) should descend from her into matter? What hinders this sketch from being a kind of preliminary illumination of matter? What would hinder the individual soul from finishing (fashioning the body sketched by the universal Soul), following the lines already traced, and organizing the members pictured by them, and becoming that which she approached by giving herself some particular figure, just as, in a choric ballet, the dancer confines himself to the part assigned to him? THE SENSE-WORLD AND THE INTELLIGIBLE WORLD ARE CONNECTED BY THE MANIFOLD TRIPLE NATURE OF MAN. Such considerations have been arrived at merely as result of scrutiny of the consequences of the principles laid down. Our purpose was to discover how sensibility occurs in the man himself, without intelligible things falling into generation. We recognized and demonstrated that intelligible things do not incline towards sense-things, but that, on the contrary, it is the latter that aspire and rise to the former, and imitate them; that the sense-man derives from the intellectual man the power of contemplating intelligible entities, though the sense-man remain united to sense-things, as the intellectual man remains united to the intelligible entities. Indeed, intelligible things are in some respects sensual; and we may call them such because (ideally) they are Bodies, but they are perceived in a manner different from bodies. Likewise, our sensations are less clear than the perception which occurs in the intelligible world, and that we also call Sensation, because it refers to Bodies (which exist on high only in an ideal manner). Consequently, we call the man here below sensual because he perceives less well things which themselves are less good; that is, which are only images of intelligible things. We might therefore say that sensations here below are obscure thoughts, and that the Thoughts on high are distinct Sensations. Such are our views about sensibility.