thereof by others; and that, if they be not despoiled of their riches, they will lose still more by keeping them.[66] Murders, massacres, the taking and pillaging of towns should be considered as in the theatre we consider changes of scene and of personages, the tears and cries of the actors.[67] ALL THESE CHANGES OF FORTUNE AFFECT ONLY THE OUTER MAN IN ANY CASE. In this world, indeed, just as in the theatre, it is not the soul, the interior man, but his shadow, the exterior man, who gives himself up to lamentations and groans, who on this earth moves about so much, and who makes of it the scene of an immense drama with numberless different acts (?) Such is the characteristic of the actions of a man who considers exclusively the things placed at his feet, and outside of him, and who does not know that his tears and serious occupations are any more than games.[68] The really earnest man occupies himself seriously only with really serious affairs, while the frivolous man applies himself to frivolous things. Indeed, frivolous things become serious for him who does not know really serious occupations, and who himself is frivolous. If, indeed, one cannot help being mixed up in this child's play, it is just as well to know that he has fallen into child's play where one's real personality is not in question. If Socrates were to mingle in these games, it would only be his exterior man who would do so. Let us add that tears and groans do not prove that the evils we are complaining of are very real evils; for often children weep and lament over imaginary grievances. DOES THIS POINT OF VIEW DESTROY SIN AND JUSTICE? 16. If the above considerations be true, what about wickedness, injustice, and sin? For if everything be well, how can there be agents who are unjust, and who sin? If no one be unjust, or sinful, how can unhappy men exist? How can we say that certain things conform to nature, while others are contrary thereto, if everything that is begotten, or that occurs, conforms to nature? Last, would that point of view not do away entirely with impiety towards the divinity, if it be the divinity that makes things such as they are, if the divinity resemble a poet, who would in his drama introduce a character whose business it was to ridicule and criticize the author? THIS PROBLEM SOLVED BY REASON BEING DERIVED FROM INTELLIGENCE.