I do not know where to find a book—to borrow a phrase of Ben Jonson’s—“so rammed with life,” and this in chapters chiefly ethical, which are so prone to be heavy and sentimental. No poet could illustrate his thought with more novel or striking similes or happier anecdotes. His style is realistic, picturesque, and varied; his sharp objective eyes seeing every thing that moves, shines, or threatens in nature or art, or thought or dreams. Indeed, twilights, shadows, omens, and spectres have a charm for him. He believes in witchcraft and the evil eye, in demons and ghosts,—but prefers, if you please, to talk of these in the morning. His vivacity and abundance never leave him to loiter or pound on an incident. I admire his rapid and crowded style, as if he had such store of anecdotes of his heroes that he is forced to suppress more than he recounts, in order to keep up with the hasting history. His surprising merit is the genial facility with which he deals with his manifold topics. There is no trace of labor or pain. He gossips of heroes, philosophers, and poets; of virtues and genius; of love and fate and empires. It is for his pleasure that he recites all that is best in his reading: he prattles history. But he is no courtier, and no Boswell: he is ever manly, far from fawning, and would be welcome to the sages and warriors he reports, as one having a native right to admire and recount these stirring deeds and speeches. I find him a better teacher of rhetoric than any modern. His superstitions are poetic, aspiring, affirmative. A poet might rhyme all day with hints drawn from Plutarch, page on page. No doubt, this superior suggestion for the modern reader owes much to the foreign air, the Greek wine, the religion and history of antique heroes. Thebes, Sparta, Athens, and Rome charm us away from the disgust of the passing hour. But his own cheerfulness and rude health are also magnetic. In his immense quotation and allusion, we quickly cease to discriminate between what he quotes and what he invents. We sail on his memory into the ports of every nation, enter into every private property, and do not stop to discriminate owners, but give him the praise of all. ’Tis all Plutarch, by right of eminent domain, and all property vests in this emperor. This facility and abundance make the joy of his narrative, and he is read to the neglect of more careful historians. Yet he inspires a curiosity, sometimes makes a necessity, to read them. He disowns any attempt to rival Thucydides; but I suppose he has a hundred readers where Thucydides finds one, and Thucydides must often thank Plutarch for that one. He has preserved for us a multitude