He that designs to sport should sport, and not buy his ease and pleasure with great expense, or the loss of that time which might be useful to other things; but whilst he is feasting and free from business, those should be enjoyed. And it is advisable to try amidst our mirth, whether any profit is to be gotten from our delights. _QUESTION VIII._ WHAT SORT OF MUSIC IS FITTEST FOR AN ENTERTAINMENT? DIOGENIANUS, A SOPHIST, PHILIP. 1. When Philip had ended, I hindered the sophister from returning an answer to the discourse, and said: Let us rather enquire, Diogenianus, since there are a great many sorts of music, which is fittest for an entertainment. And let us beg this learned man’s judgment in this case; for since he is not prejudiced or apt to be biassed by any sort, there is no danger that he should prefer that which is pleasantest before that which is best. Diogenianus joining with me in this request, he presently began. All other sorts I banish to the theatre and play-house, and can only allow that which hath been lately admitted into the entertainments at Rome, and with which everybody is not yet acquainted. You know, continued he, that some of Plato’s dialogues are purely narrative, and some dramatic. The easiest of this latter sort they teach their children to speak by heart; causing them to imitate the actions of those persons they represent, and to form their voice and affections to be agreeable to the words. This all the grave and well-bred men exceedingly approve; but soft and effeminate fellows, whose ears ignorance and ill-breeding hath corrupted, and who, as Aristoxenus phraseth it, are ready to vomit when they hear excellent harmony, reject it; and no wonder, when effeminacy prevails. 2. Philip, perceiving some of the company uneasy at this discourse, said: Pray spare us, sir, and be not so severe upon us; for we were the first that found fault with that custom when it first began to be countenanced in Rome, and reprehended those who thought Plato fit to entertain us whilst we were making merry, and who would hear his dialogues whilst they were eating cates and scattering perfumes. When Sappho’s songs or Anacreon’s verses are pronounced, I protest I then think it decent to set aside my cup. But should I proceed, perhaps you would think me much in earnest, and designing to oppose you, and therefore, together with this cup which I present my friend, I leave it to him to wash your salt ear with fresh discourse.