Plutarch's essays and miscellanies, Vol. 3 (of 5) : $b Comprising all his works collected under the title of "Morals"Plutarch
Philosophy
Plutarch's essays and miscellanies, Vol. 3 (of 5) : $b Comprising all his works collected under the title of "Morals"
Plutarch
Classical literature; Essays; Ethics; Philosophy
5. This said, after short silence, the guides began again to cite
certain words of an ancient oracle in verse, which, as it seemed to
me, pointed at the sovereignty of Aegon king of Argos. I have often
wondered, said Diogenianus, at the meanness and ill-contrived hobbling
of the verses which conveyed the ancient oracles into the world. And
yet Apollo is called the chief of the Muses; whom it therefore behooved
to take no less care of elegancy and beauty in style and language, than
of the voice and manner of singing. Besides, he must needs be thought
to surpass in a high degree either Homer or Hesiod in poetic skill.
Nevertheless we find several of the oracles lame and erroneous, as
well in reference to the measure as to the words. Upon which the poet
Serapio, newly come from Athens, being then in company, said: If we
believe that those verses were composed by Apollo, can we acknowledge
what you allege, that they come short of the beauty and elegancy which
adorn the writings of Homer and Hesiod; and shall we not make use of
them as examples of neatness and curiosity, correcting our judgment
anticipated and forestalled by evil custom? To whom Boethus the
geometer (the person who you know has lately gone over to the camp of
Epicurus) said: Have you not heard the story of Pauson the painter?
Not I, replied Serapio. It is worth your attention, answered Boethus.
He, having contracted to paint a horse wallowing upon his back, drew
the horse galloping at full speed; at which when the person that had
agreed with him seemed to be not a little displeased, Pauson fell a
laughing, and turned the picture upside downward; by which means the
posture was quite altered, and the horse that seemed to run before lay
tumbling now upon the ground. This (as Bion says) frequently happens
to propositions, when they are once inverted; for some will deny the
oracles to be elegant, because they come from Apollo; others will
deny Apollo to be the author, because of their rude and shapeless
composure. For the one is dubious and uncertain; but this is manifest,
that the verses wherein the oracles are generally delivered are no way
laboriously studied. Nor can I appeal to a better judge than yourself,
whose compositions and poems are not only written so gravely and
philosophically, but, for invention and elegancy, more like to those of
Homer and Hesiod than the homely Pythian raptures.
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