Plutarch's essays and miscellanies, Vol. 3 (of 5) : $b Comprising all his works collected under the title of "Morals"Plutarch
Philosophy
Plutarch's essays and miscellanies, Vol. 3 (of 5) : $b Comprising all his works collected under the title of "Morals"
Plutarch
Classical literature; Essays; Ethics; Philosophy
But should we grant that in our age no oracles are delivered in verse,
we should be still doubtful about the ancient times, when the oracles
were delivered sometime in verse sometime in prose. Though, whether it
be in prose or verse, the oracle is never a whit the falser or the more
miraculous, so that we have but a true and religious opinion of the
Deity; not irreverently conceiting that formerly he composed a stock
of verses to be now repeated by the prophetess, as if he spoke through
masks and visors.
21. But these things require a more prolix discourse and a stricter
examination, to be deferred till another time. For the present,
therefore, let us only call to mind thus much, that the body makes
use of several instruments, and the soul employs the body and its
members; the soul being the organ of God. Now the perfection of the
organ is to imitate the thing that makes use of it, so far as it is
capable, and to exhibit the operation of its thought, according to
the best of its own power; since it cannot show it as it is in the
divine operator himself,—neat, without any affection, fault, or error
whatsoever,—but imperfect and mixed. For of itself, the thing is to
us altogether unknown, till it is infused by another and appears to us
as fully partaking of the nature of that other. I forbear to mention
gold or silver, brass or wax, or whatever other substances are capable
to receive the form of an imprinted resemblance. For true it is, they
all admit the impression; but still one adds one distinction, another
another, to the imitation arising from their presentation itself; as
we may readily perceive in mirrors, both plane, concave, and convex,
infinite varieties of representations and faces from one and the same
original; there being no end of that diversity.
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