as Pindar said. But this were absurd to affirm. For amorous impatiencies torment and agitate the minds of many men not addicted either to music or poetry, that know not how to handle a flute or touch a harp, and yet are no less talkative and inflamed with desire than the ancients. And I believe there is no person who would be so unkind to himself as to say that the Academy or the quires of Socrates and Plato were void of love, with whose discourses and conferences touching that passion we frequently meet, though they have not left any of their poems behind. And would it not be the same thing to say, there never was any woman that studied courtship but Sappho, nor ever any that were endued with the gift of prophecy but Sibylla and Aristonica and those that delivered their oracles and sacred raptures in verse? For wine, as saith Chaeremon, soaks and infuses itself into the manners and customs of them that drink it. Now poetic rapture, like the raptures of love, makes use of the ability of its subject, and moves every one that receives it, according to its proper qualification. 24. Nevertheless, if we do but make a right reflection upon God and his Providence, we shall find the alteration to be much for the better. For the use of speech seems to be like the exchange of money; that which is good and lawful is commonly current and known, and goes sometimes at a higher, sometimes at a lower value. Thus there was once a time when the stamp and coin of language was approved and passed current in verses, songs, and sonnets; for then all histories, all philosophical learning, all affections and subjects that required grave and solid discussion, were written in poetry and fitted for musical composition. For what now but a few will scarce vouchsafe to hear, then all men listened to, The shepherd, ploughman, and bird-catcher too,[34] as it is in Pindar; all delighted in songs and verses. For such was the inclination of that age and their readiness to versify, that they fitted their very precepts and admonitions to vocal and instrumental music. If they were to teach, they did it in songs fitted to the harp. If they were to exhort, reprove, or persuade, they made use of fables and allegories. And then for their praises of the Gods, their vows, and paeans after victory, they were all composed in verse; by some, as being naturally airy and flowing in their invention; by others, as habituated by custom. And therefore it is not that Apollo envies this ornament and elegancy to the science of divination; nor was it his design to banish from the Tripos his beloved Muse, but rather to introduce her when rejected by others, being rather a lover and kindler of poetic rapture in others, and choosing rather to furnish laboring fancies with imaginations, and to assist them to bring forth the lofty and learned kind of language, as most becoming and most to be admired.