Greece -- Biography -- Early works to 1800; Rome -- Biography -- Early works to 1800
The lively portraitures of men drawn in Plutarch's Lives have made them
favourite reading in all ages. Whether Plutarch has succeeded in drawing
the portraits true, we cannot always determine, because the materials
for such a judgment are sometimes wanting. But when we can compare his
Lives with other extant authorities, we must admit, that though he is by
no means free from error as to his facts, he has generally selected
those events in a man's life which most clearly show his temper, and
that on the whole, if we judge of a man by Plutarch's measure, we shall
form a just estimate of him. He generally wrote without any
predilections or any prejudices. He tells us of a man's good and bad
acts, of his good and bad qualities; he makes no attempt to conceal the
one or the other; he both praises and blames as the occasion may arise;
and the reader leaves off with a mixed opinion about Plutarch's Greeks
and Romans, though the favourable or the unfavourable side always
predominates. The benevolent disposition of Plutarch, and his noble and
elevated character, have stamped themselves on all that he has written.
A man cannot read these Lives without being the better for it: his
detestation of all that is mean and disingenuous will be increased; his
admiration of whatever is truthful and generous will be strengthened and
exalted.
The translation of these Lives is difficult. Plutarch's text is
occasionally corrupted; and where it is not corrupted, his meaning is
sometimes obscure. Many of the sentences are long and ill-constructed;
the metaphors often extravagant; and the just connection of the parts is
sometimes difficult to discover. Many single words which are or ought to
be pertinent in Plutarch, and which go towards a description of
character in general or of some particular act, can hardly be rendered
by any English equivalent; and a translator often searches in vain for
something which shall convey to the reader the exact notion of the
original. Yet Plutarch's narrative is lively and animated; his anecdotes
are appropriately introduced and well told; and if his taste is
sometimes not the purest, which in his age we could not expect it to be,
he makes amends for this by the fulness and vigour of his expression. He
is fond of poetical words, and they are often used with striking effect.
His moral reflections, which are numerous, have the merit of not being
unmeaning and tiresome, because he is always in earnest and has got
something to say, and does not deal in commonplaces. When the reflection
is not very profound, it is at least true; and some of his remarks show
a deep insight into men's character.
Public-domain text, read in full here on John Shaqi.
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