Sec. XVI. "Not I, by Zeus," replied Zeuxippus. "To have a different opinion
would be ridiculous." "Then," continued my father, "is it not also
ridiculous, if there are four kinds of friendship, for so the ancients
distinguished, the natural first, the second that to one's kindred, the
third that to one's companions, the fourth the friendship of love, and
each of the first three have a god as patron, either a god of
friendship, or a god of hospitality, or a god of the family, or a god of
the race,[101] whereas the friendship of love only, as something
altogether unholy, is left without any patron god, and that, too, when
it needs most of all attentive direction?" "It is," said Zeuxippus,
"highly ridiculous." My father continued, "The language of Plato is very
suggestive here, to make a slight digression. One kind of madness (he
says) is conveyed to the soul from the body through certain bad
temperaments or mixtures, or through the prevalence of some noxious
spirit, and is harsh, difficult to cure, and baneful. Another kind of
madness is not uninspired or from within, but an afflatus from without,
a deviation from sober reason, originated and set in motion by some
higher power, the ordinary characteristic of which is called enthusiasm.
For, as one full of breath is called [Greek: empnoos], and as one full
of sense is called [Greek: emphron], so the name enthusiasm is given to
the commotion of the soul caused by some Divine agency.[102] Thus there
is the prophetic enthusiasm which proceeds from Apollo, and the Bacchic
enthusiasm which comes from Dionysus, to which Sophocles alludes where
he says, 'Dance with the Corybantes;' for the rites of Cybele and Pan
have great affinities to the orgies of Bacchus. And the third madness
proceeds from the Muses, and possesses an impressionable and pure soul,
and stirs up the poetry and music in a man. As to the martial and
warlike madness, it is well known from what god it proceeds, namely,
Ares, 'kindling tearful war, that puts an end to the dance and the song,
and exciting civic strife.'[103] There remains, Daphnaeus, one more kind
of madness in man, neither obscure nor tranquil, as to which I should
like to ask Pemptides here,
'What god it is that shakes the fruitful thyrsus?'
I refer to that love-fury for modest boys and chaste women, which is
far the keenest and fiercest passion of all. For have you not observed
how the soldier, when he lays aside his arms, ceases from his warlike
fury, as the poet says,
'Then from him
Right gladly did his squires remove the armour,'[104]
Public-domain text, read in full here on John Shaqi.
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