Sec. XVIII. Zeuxippus was pleased with this story, and said, "O Hercules, you have been within an ace of making me forget my hereditary hatred to Anytus for his behaviour to Socrates and philosophy,[116] since he was so mild and noble to his love." "Be it so," said my father, "Love also makes peevish and gloomy persons kind and agreeable to those they live with; for as 'when the fire blazes the house looks brighter,'[117] so man, it seems, becomes more cheerful through the heat of love. But most people are affected rather curiously; if they see by night a light in a house, they look on it with admiration and wonder; but if they see a little, mean, and ignoble soul suddenly filled with noble-mindedness, freedom, dignity, grace, and liberality, they do not feel constrained to say with Telemachus, 'Surely, some god is there within.'[118] And is it not wonderful, Daphnaeus," continued my father,[119] "in the name of the Graces, that the lover who cares about hardly anything, either his companions and friends, or even the laws and magistrates and kings, who fears nothing, admires nothing, courts nothing, but can even endure to gaze on 'the forked lightning,'[120] yet directly he looks on his love 'he crouches like a cock with drooping feathers,' and his boldness is broken and his pride is cowed. And among the Muses it would not be amiss to mention Sappho; for as the Romans say Cacus the son of Hephaestus vomited out of his mouth fire and flames, so she really speaks words that burn like fire, and in her songs shows the warmth of her heart, as Philoxenus puts it, 'by euphonious songs assuaging the pains of love.' And if you have not in your love for Lysandra forgot all your old love-songs, do repeat to us, Daphnaeus, the lines in which beautiful Sappho says that 'when her love appeared her voice failed and her body burned, and she was seized with paleness and trembling and vertigo.'" And when Daphnaeus had repeated the lines, my father resumed, "In the name of Zeus, is not this plainly a divine seizure? Is not this a wonderful commotion of soul? Why, the Pythian priestess on the tripod is not moved so much as this! Who of those inspired by Cybele are made beside themselves to this extent by the flute and the kettledrum? Moreover, while many see the same body and the same beauty, only the lover is taken by it. Why is this the case? We get no light on it from Menander's words, 'Love is opportunity; and he that is smitten is the only one wounded.' But the god is the cause of it, striking one and letting another go scot-free. But I will not pass over now, 'since it has come into my mouth,' as AEschylus says, what perhaps would have been better spoken before, for it is a very important point. Perhaps, my friend, of all other things which we do not perceive through the senses, some got believed through legend, some through the law, some through reason; whereas we owe our conception of the gods altogether to the