Far in the stillness a cat Languishes loudly. A cinder Falls, and the shadows Lurch to the leap of the flame. The next man to me Turns with a moan; and the snorer, The drug like a rope at his throat, Gasps, gurgles, snorts himself free, as the night-nurse, Noiseless and strange, Her bull’s eye half-lanterned in apron, (Whispering me, ‘Are ye no sleepin’ yet?’), Passes, list-slippered and peering, Round . . . and is gone. Sleep comes at last— Sleep full of dreams and misgivings— Broken with brutal and sordid Voices and sounds that impose on me, Ere I can wake to it, The unnatural, intolerable day. VIII STAFF-NURSE: OLD STYLE THE greater masters of the commonplace, REMBRANDT and good SIR WALTER—only these Could paint her all to you: experienced ease And antique liveliness and ponderous grace; The sweet old roses of her sunken face; The depth and malice of her sly, grey eyes; The broad Scots tongue that flatters, scolds, defies; The thick Scots wit that fells you like a mace. These thirty years has she been nursing here, Some of them under SYME, her hero still. Much is she worth, and even more is made of her. Patients and students hold her very dear. The doctors love her, tease her, use her skill. They say ‘The Chief’ himself is half-afraid of her. IX LADY-PROBATIONER SOME three, or five, or seven, and thirty years; A Roman nose; a dimpling double-chin; Dark eyes and shy that, ignorant of sin, Are yet acquainted, it would seem, with tears; A comely shape; a slim, high-coloured hand, Graced, rather oddly, with a signet ring; A bashful air, becoming everything; A well-bred silence always at command. Her plain print gown, prim cap, and bright steel chain Look out of place on her, and I remain Absorbed in her, as in a pleasant mystery. Quick, skilful, quiet, soft in speech and touch . . . ‘Do you like nursing?’ ‘Yes, Sir, very much.’ Somehow, I rather think she has a history. X STAFF-NURSE: NEW STYLE BLUE-EYED and bright of face but waning fast Into the sere of virginal decay, I view her as she enters, day by day, As a sweet sunset almost overpast. Kindly and calm, patrician to the last, Superbly falls her gown of sober gray, And on her chignon’s elegant array The plainest cap is somehow touched with caste. She talks BEETHOVEN; frowns disapprobation At BALZAC’S name, sighs it at ‘poor GEORGE SAND’S’; Knows that she has exceeding pretty hands; Speaks Latin with a right accentuation; And gives at need (as one who understands) Draught, counsel, diagnosis, exhortation. XI CLINICAL HIST? . . . Through the corridor’s echoes, Louder and nearer Comes a great shuffling of feet. Quick, every one of you, Strighten your quilts, and be decent! Here’s the Professor.