Poems 1918-21, Including Three Portraits and Four CantosPound, Ezra
General
Poems 1918-21, Including Three Portraits and Four Cantos
Pound, Ezra
Poetry
The thin, clear gaze, the same
Still darts out faun-like from the half-ruin’d face,
Questing and passive....
“Ah, poor Jenny’s case” ...
Bewildered that a world
Shows no surprise
At her last maquero’s
Adulteries.
“SIENA MI FE’; DISFEÇEMI MAREMMA”
Among the pickled fœtuses and bottled bones,
Engaged in perfecting the catalogue,
I found the last scion of the
Senatorial families of Strasbourg, Monsieur Verog.
For two hours he talked of Gallifet;
Of Dowson; of the Rhymers’ Club;
Told me how Johnson (Lionel) died
By falling from a high stool in a pub ...
But showed no trace of alcohol
At the autopsy, privately performed--
Tissue preserved--the pure mind
Arose toward Newman as the whiskey warmed.
Dowson found harlots cheaper than hotels;
Headlam for uplift; Image impartially imbued
With raptures for Bacchus, Terpsichore and the Church.
So spoke the author of “The Dorian Mood,”
M. Verog, out of step with the decade,
Detached from his contemporaries,
Neglected by the young,
Because of these reveries.
BRENNBAUM
_The_ sky-like limpid eyes,
The circular infant’s face,
The stiffness from spats to collar
Never relaxing into grace;
The heavy memories of Horeb, Sinai and the forty years,
Showed only when the daylight fell
Level across the face
Of Brennbaum “The Impeccable.”
MR NIXON
In the cream gilded cabin of his steam yacht
Mr. Nixon advised me kindly, to advance with fewer
Dangers of delay. “Consider
“Carefully the reviewer.
“I was as poor as you are;
“When I began I got, of course,
“Advance on royalties, fifty at first,” said Mr. Nixon,
“Follow me, and take a column,
“Even if you have to work free.
“Butter reviewers. From fifty to three hundred
“I rose in eighteen months;
“The hardest nut I had to crack
“Was Dr. Dundas.
“I never mentioned a man but with the view
“Of selling my own works.
“The tip’s a good one, as for literature
“It gives no man a sinecure.
“And no one knows, at sight a masterpiece.
“And give up verse, my boy,
“There’s nothing in it.”
* * * * *
Likewise a friend of Bloughram’s once advised me:
Don’t kick against the pricks,
Accept opinion. The “Nineties” tried your game
And died, there’s nothing in it.
X
Beneath the sagging roof
The stylist has taken shelter,
Unpaid, uncelebrated,
At last from the world’s welter
Nature receives him,
With a placid and uneducated mistress
He exercises his talents
And the soil meets his distress.
The haven from sophistications and contentions
Leaks through its thatch;
He offers succulent cooking;
The door has a creaking latch.
XI
Public-domain text, read in full here on John Shaqi.
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