She might have been false. Of her withered dust
There scarcely would be enough to write
Her guilt in now; and the dead have a right
To our lenient doubt if not to our trust:
So if the truth cannot make her white,
Let us be as merciful as we--must.
II.
The queen died first, the queen died young,
But the king was very old when he died,
Rotten with license, and lust, and pride;
And the usual Virtues came and hung
Their cypress wreaths on his tomb, and wide
Throughout his kingdom his praise was sung.
How the queen died is not certainly known,
And faithful subjects are all forbid
To speak of the murder which some one did
One night while she slept in the dark alone:
History keeps the story hid,
And Fear only tells it in undertone.
Up from your startled feet aloof,
In the famous Echo-Room, with a bound
Leaps the echo, and round and round
Beating itself against the roof,--
A horrible, gasping, shuddering sound,--
Dies ere its terror can utter proof
Of that it knows. A door is fast,
And none is suffered to enter there.
His sacred majesty could not bear
To look at it toward the last,
As he grew very old. It opened where
The queen died young so many years past.
III.
How the queen died is not certainly known;
But in the palace's solitude
A harking dread and horror brood,
And a silence, as if a mortal groan
Had been hushed the moment before, and would
Break forth again when you were gone.
The present king has never dwelt
In the desolate palace. From year to year
In the wide and stately garden drear
The snows and the snowy blossoms melt
Unheeded, and a ghastly fear
Through all the shivering leaves is felt.
By night the gathering shadows creep
Along the dusk and hollow halls,
And the slumber-broken palace calls
With stifled moans from its nightmare sleep;
And then the ghostly moonlight falls
Athwart the darkness brown and deep.
At early dawn the light wind sighs,
And through the desert garden blows
The wasted sweetness of the rose;
At noon the feverish sunshine lies
Sick in the walks. But at evening's close,
When the last, long rays to the windows rise,
And with many a blood-red, wrathful streak
Pierce through the twilight glooms that blur
His cruel vigilance and her
Regard, they light fierce looks that wreak
A hopeless hate that cannot stir,
A voiceless hate that cannot speak
In the awful calm of the sleepless eyes;
And as if she saw her murderer glare
On her face, and he the white despair
Of his victim kindle in wild surmise,
Confronted the conscious pictures stare,--
And their secret back into darkness dies.
THE FAITHFUL OF THE GONZAGA.[2]
I.
Federigo, the son of the Marquis,
Downcast, through the garden goes:
He is hurt with the grace of the lily,
And the beauty of the rose.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account