Yes, he had looked on a ghost--the phantom of love that was
perished!--
When, last night, he beheld the scene of which I have told you.
For to the woman he saw there, his troth had been solemnly plighted
Ere he went to the war. His return from the dead found her absent
In the belief of his death; and hither to Europe he followed,--
Followed to seek her, and keep, if she would, the promise between
them,
Or, were a haunting doubt confirmed, to break it and free her.
Then, at Naples we met, and the love that, before he was conscious,
Turned his life toward mine, laid torturing stress to the purpose
Whither it drove him forever, and whence forever it swerved him.
How could he tell me his love, with this terrible burden upon him?
How could he linger near me, and still withhold the avowal?
And what ruin were that, if the other were doubted unjustly,
And should prove fatally true! With shame, he confessed he had
faltered,
Clinging to guilty delays, and to hopes that were bitter with
treason,
Up to the eve of our parting. And then the last anguish was spared
him.
_Her_ love for him was dead. But the heart that leaped in his bosom
With a great, dumb throb of joy and wonder and doubting,
Still must yield to the spell of his silencing will till that
phantom
Proved an actual ghost by common-place tests of the daylight,
Such as speech with the lady's father.
And now, could I pardon--
Nay, did I think I could love him? I sobbingly answered, I thought
so.
And we are all of us going to Lago di Como to-morrow,
With an ulterior view at the first convenient Legation.
Patientest darling, good-by! Poor Fred, whose sense of what's
proper
Never was touched till now, is shocked at my glad self-betrayals,
And I am pointed out as an awful example to Annie,
Figuring all she must never be. But, oh, if _he_ loves me!--
POSTSCRIPT.
Since, he has shown me a letter in which he absolves and forgives
her
(Philip, of course, not Fred; and the _other_, of course, and not
Annie).
Don't you think him generous, noble, unselfish, heroic?
L'ENVOY.--_Clara's Comment_.
Well, I'm glad, I am sure, if Fanny supposes she's happy.
I've no doubt her lover is good and noble--as men go.
But, as regards his release of a woman who'd wholly forgot him,
And whom he loved no longer, for one whom he loves, and who loves
him,
_I_ don't exactly see where the _heroism_ commences.
THE SONG THE ORIOLE SINGS.
There is a bird that comes and sings
In the Professor's garden-trees;
Upon the English oak he swings,
And tilts and tosses in the breeze.
I know his name, I know his note,
That so with rapture takes my soul;
Like flame the gold beneath his throat,
His glossy cope is black as coal.
Public-domain text, read in full here on John Shaqi.
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