English drama -- Irish authors; English poetry -- Irish authors
Besides rewriting a lyric or two, I have much enlarged the note on "The
Countess Cathleen," as there has been some discussion in Ireland about
the origin of the story, but the other notes are as they have always
been. They are short enough, but I do not think that anybody who knows
modern poetry will find obscurities in this book. In any case, I must
leave my myths and symbols to explain themselves as the years go by and
one poems lights up another, and the stories that friends, and one
friend in particular, have gathered for me, or that I have gathered
myself in many cottages, find their way into the light. I would, if I
could, add to that majestic heraldry of the poets, that great and
complicated inheritance of images which written literature has
substituted for the greater and more complex inheritance of spoken
tradition, some new heraldic images, gathered from the lips of the
common people. Christianity and the old nature faith have lain down side
by side in the cottages, and I would proclaim that peace as loudly as I
can among the kingdoms of poetry, where there is no peace that is not
joyous, no battle that does not give life instead of death; I may even
try to persuade others, in more sober prose, that there can be no
language more worthy of poetry and of the meditation of the soul than
that which has been made, or can be made, out of a subtlety of desire,
an emotion of sacrifice, a delight in order, that are perhaps
Christian, and myths and images that mirror the energies of woods and
streams, and of their wild creatures. Has any part of that majestic
heraldry of the poets had a very different fountain? Is it not the
ritual of the marriage of heaven and earth?
These details may seem to many unnecessary; but after all one writes
poetry for a few careful readers and for a few friends, who will not
consider such details unnecessary. When Cimabue had the cry it was, it
seems, worth thinking of those that run; but to-day, when they can write
as well as read, one can sit with one's companions under the hedgerow
contentedly. If one writes well and has the patience, somebody will come
from among the runners and read what one has written quickly, and go
away quickly, and write out as much as he can remember in the language
of the highway.
W.B. YEATS.
_January, 1901._
CONTENTS
PAGE
THE COUNTESS CATHLEEN 1
THE ROSE--
To the Rose upon the Rood of Time 109
Fergus and the Druid 111
The Death of Cuchulain 114
The Rose of the World 119
The Rose of Peace 120
The Rose of Battle 121
A Faery Song 123
Public-domain text, read in full here on John Shaqi.
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