Before proceeding to describe the effect made on the public by the
appearance of “Poems descriptive of Rural Life and Scenery,” it will be
necessary to revert for a moment to the affairs of love. No sooner was
the first quarrel between the sweethearts swept away by the broom of
reconciliation than the flame of passion, burning to a conquering
height, made a bonfire out of the broken materials of virtue. This
disaster was followed by fresh bickerings. Martha Turner found it
impossible to be for ever displaying a cheerful front. Her tears, her
reproaches, her simple tricks to make CLARE jealous, resulted in a
serious breach. CLARE, listening far too readily to glib and evil
persuasions from within, appears to have convinced himself that he was
the injured party; whereupon he began to wound Martha by flirting
outrageously with Betty Sell, the daughter of a Southorp labourer. This
inglorious behaviour received a sudden check, just after the publication
of CLARE’S book, by reason of a letter from Martha Turner, in which she
spoke of her coming motherhood, and implored the author of her shame to
cleanse her in so far as he was able. Truth to tell, CLARE was by this
time wellnigh assured that Betty was his favourite, but he had the
manliness to follow the right star, and on the 16th of March, 1820, was
united to Martha at Great Casterton Church. A month after the wedding
Anna Maria Clare was born to him. As this marriage would hardly have
been possible but for the stir occasioned by the poems, we may now give
a short history of the events immediately following their issue.
Public-domain text, read in full here on John Shaqi.
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