Produced by Paul Murray, Chandra Friend and the Online Distributed Proofreading Team at http://www.pgdp.net Poems and Ballads First Series By Algernon Charles Swinburne Taken from The Collected Poetical Works of Algernon Charles Swinburne--Vol I SWINBURNE'S POETICAL WORKS I. POEMS AND BALLADS (First Series). II. SONGS BEFORE SUNRISE, and SONGS OF TWO NATIONS. III. POEMS AND BALLADS (SECOND AND THIRD SERIES), and SONGS OF THE SPRING-TIDES. IV. TRISTRAM OF LYONESSE, THE TALE OF BALEN, ATALANTA IN CALYDON, ERECHTHEUS. V. STUDIES IN SONG, A CENTURY OF ROUNDELS, SONNETS ON ENGLISH DRAMATIC POETS, THE HEPTALOGIA, ETC. VI. A MIDSUMMER HOLIDAY, ASTROPHEL, A CHANNEL PASSAGE AND OTHER POEMS. London: William Heinemann POEMS & BALLADS (FIRST SERIES) By Algernon Charles Swinburne 1917 London: William Heinemann _First printed_ (_Chatto_), 1904 _Reprinted_ 1904, '09, '10, '12 (_Heinemann_), 1917 _London_: _William Heinemann_ 1917 TO THEODORE WATTS-DUNTON DEDICATORY EPISTLE To my best and dearest friend I dedicate the first collected edition of my poems, and to him I address what I have to say on the occasion. You will agree with me that it is impossible for any man to undertake the task of commentary, however brief and succinct, on anything he has done or tried to do, without incurring the charge of egoism. But there are two kinds of egoism, the furtive and the frank: and the outspoken and open-hearted candour of Milton and Wordsworth, Corneille and Hugo, is not the least or the lightest of their claims to the regard as well as the respect or the reverence of their readers. Even if I were worthy to claim kinship with the lowest or with the highest of these deathless names, I would not seek to shelter myself under the shadow of its authority. The question would still remain open on all sides. Whether it is worth while for any man to offer any remarks or for any other man to read his remarks on his own work, his own ambition, or his own attempts, he cannot of course determine. If there are great examples of abstinence from such a doubtful enterprise, there are likewise great examples to the contrary. As long as the writer can succeed in evading the kindred charges and the cognate risks of vanity and humility, there can be no reason why he should not undertake it. And when he has nothing to regret and nothing to recant, when he finds nothing that he could wish to cancel, to alter, or to unsay, in any page he has ever laid before his reader, he need not be seriously troubled by the inevitable consciousness that the work of his early youth is not and cannot be unnaturally unlike the work of a very young man. This would be no excuse for it, if it were in any sense bad work: if it be so, no apology would avail; and I certainly have none to offer.