English poetry -- 20th century; Rosenberg, Isaac, 1890-1918
“I think with you that poetry should be definite thought and clear
expressions, however subtle; I don’t think there should be any vagueness
at all, but a sense of something hidden and felt to be there. Now, when
my things fail to be clear, I am sure it is because of the luckless
choice of a word or the failure to introduce a word that would flash my
idea plain, as it is to my own mind. I believe my Amazon poem to be my
best poem. If there is any difficulty, it must be in words here and
there, the changing or elimination of which may make the poem clear. It
has taken me about a year to write; for I have changed and rechanged it
and thought hard over that poem, and striven to get that sense of
inexorableness the human (or unhuman) side of this war has. It even
penetrates behind human life; for the ‘Amazon’ who speaks in the second
half of the poem is imagined to be without her lover yet, while all her
sisters have theirs, the released spirits of the slain earth-men; her
lover yet remains to be released.”
_To Miss Seaton (1916)._
“Many thanks for book and chocolate. Both are being devoured with equal
pleasure. I can’t get quite the delight in Whitman as from one poem of
his I know—‘Captain, my Captain.’ I admire the vigour and independence
of his mind, but his diction is so diffused. Emerson and not Whitman is
America’s poet. You will persist in refusing to see my side of our
little debate on criticism. Everybody has agreed with you about the
faults, and the reason is obvious; the faults are so glaring that nobody
can fail to see them. But how many have seen the beauties? And it is
here more than the other that the true critic shows himself. And I
absolutely disagree that it is blindness or carelessness; it is the
brain succumbing to the herculean attempt to enrich the world of ideas.”
_To Laurence Binyon (1916)._
Public-domain text, read in full here on John Shaqi.
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