“We had a rough time in the trenches with the mud, but now we’re out for a bit of a rest, and I will try and write longer letters. You must know by now what a rest behind the line means. I can call the evenings—that is, from tea to lights out—my own; but there is no chance whatever for seclusion or any hope of writing poetry now. Sometimes I give way and am appalled at the devastation this life seems to have made in my nature. It seems to have blunted me. I seem to be powerless to compel my will to any direction, and all I do is without energy and interest.” _To Gordon Bottomley (Postmark, February 26, 1918)._ “I wanted to send some bits I wrote for the ‘Unicorn’ while I was in hospital, and if I find them I’ll enclose them. I tried to work on your suggestion and divided it into four acts, but since I left the hospital all the poetry has gone quite out of me. I seem even to forget words, and I believe if I met anybody with ideas I’d be dumb. No drug could be more stupefying than our work (to me anyway), and this goes on like that old torture of water trickling, drop by drop unendingly, on one’s helplessness.” _To Gordon Bottomley (Dated, March 7, 1918)._ “I believe our interlude is nearly over, and we may go up the line any moment now, so I answer your letter straightaway. If only this war were over our eyes would not be on death so much: it seems to underlie even our underthoughts. Yet when I have been so near to it as anybody could be, the idea has never crossed my mind, certainly not so much as when some lying doctor told me I had consumption. I like to think of myself as a poet; so what you say, though I know it to be extravagant, gives me immense pleasure.” _To Miss Seaton (March 8, 1918)._ “I do not feel that I have much to say, but I do know that unless I write now it will be a long time before you hear from me again, without something exceptional happens. It is not very cold now, but I dread the wet weather, which is keeping off while we are out, and, I fear, saving itself up for us. We will become like mummies—look warm and lifelike, but a touch and we crumble to pieces. Did I send you a little poem, ‘The Burning of the Temple’? I thought it was poor, or rather, difficult in expression, but G. Bottomley thinks it fine. Was it clear to you? If I am lucky, and come off undamaged, I mean to put all my innermost experiences into the ‘Unicorn.’ I want it to symbolize the war and all the devastating forces let loose by an ambitious and unscrupulous will. Last summer I wrote pieces for it and had the whole of it planned out, but since then I’ve had no chance of working on it and it may have gone quite out of my mind.” _To Edward Marsh (dated March 28, 1918)._